VAULT PACKAGE 42: THE WHITE STRIPES XX
An Accompaniment to the White Stripes First Album
1999 was a pivotal year for the White Stripes. From recording their first album through rumors of the band’s demise and embarking on their first-ever tour, the band worked extremely hard and was fortunate to see small but incremental gains from their efforts. Third Man Records is humbled to explore the depths of the band, their self-titled album and the entirety of their 1999 for our 42nd Vault package, THE WHITE STRIPES XX.
With only a handful of days spent recording in the cold, amenity-free studio in a Detroit January, it is of legitimate surprise the bounty of previously forgotten alternate takes and unreleased tracks that exist from said sessions. At a time when every last inch of tape meant dollars spent, the fact that ANYTHING extraneous was saved is not just remarkable, but a windfall for fans two decades later. While acolytes have previously heard “Dead Leaves” and “Let’s Build a Home” on a 7-inch single as part of Vault package 11 from 2012 (both included here), they have not heard the acoustic demo of “Dead Leaves”, the alternate takes of “Jimmy the Exploder” or “I Fought Piranhas” or “Wasting My Time.” The explosive take on Burt Bacharach's (via Arthur Lee and Love) “Little Red Book” busts the game wide open to the point of confusion, begging the question… how was something THIS amazing left OFF the album? The version of “Screwdriver” as released originally back in 1999 was recorded at Jack White’s domicile at 1203 Ferdinand in Southwest Detroit, while here we’ve uncovered the totally-different-vibe version done in the studio setting. Alternate takes of “Sugar Never Tasted So Good”? There’s two of ‘em. Multiple stabs at “Why Can’t You Be Nicer to Me?” fit in here nicely, though the tune was momentarily shelved before being reinvigorated and re-recorded for the band’s De Stijl nearly a year later.
The tracks collected here present the listener with an alternate reality version of how — after a few non-aberrant turns and divergent creative paths — the White Stripes self-titled album could exist in a completely different space. Newly mixed by Jack White at his Third Man Studios in Nashville, TN, this is the level of material that the Vault was specifically created to share.
Come September of 1999, the band was as surprised as anyone to have been invited to open three performances for indie rock favorites Pavement. Hitting respectable college towns in the South/East, the shows would find the Stripes in front of their largest crowds they’d encountered at that point in their career. A hyper-speed (read: nervous) version of the band’s set at the Recher Theater in Towson, Maryland has been shared in tape-trading circles for nearly 15 years, but it is the far-superior performance at the Ritz in Raleigh, North Carolina the following evening that finds Jack and Meg in top form. From the early workouts on fan-favorite covers like Dolly Parton’s “Jolene” and Brendan Benson’s “Good to Me” through the off-the-cuff take on Earl King’s (via the Gories) “Trick Bag” and absolute bombastic runs of “Broken Bricks” and “The Big Three Killed My Baby” show highlights how quickly the band was to find their footing in front of unfamiliar audiences, and ultimately, win them over.
Additionally, Third Man has unearthed footage from two pivotal, game-changing live performances by the White Stripes in their hometown. The March 13th performance at Paycheck’s in Hamtramck is remarkable for many reasons: a crowd sang along to a White Stripes song for the first time (“Sugar Never Tasted So Good”), the band played their first-ever encore (“Slicker Drips”), and the group ultimately put to rest the conjecture that it would be their last-ever performance. The night was truly a watershed moment in the duo’s history.
Nearly two months later, their debut album is released and the May 30th performance celebrating its unveiling to the world is as equally groundbreaking and sublime. Highlights include the first public use of Jack’s soon-to-be-signature Airline Res-o-glass guitar, his first utilization of an ancillary, affected vocal microphone on stage, and the only known time Jack White licked a cartoonishly large faux peppermint while in the middle of a guitar solo.
Finally, the coup de grace: an exhaustive, insightful, 11.75” x 11.75” booklet containing the bevy of photos, flyers, lyrics, receipts, musings and anything/everything that, at the time, probably seemed just like garbage, but now, twenty years later, provides all kinds of context and clues into how this odd dyad from Southwest Detroit was well on their way to a path of rock and roll flag-waving
Subscriptions are open from now through October 31st.
PLEASE NOTE: This will be the last package (Vault 42) that the Vault subscription remains priced at $60 US/$70 CAN/$80 INTL. Beginning with Vault 43 (subscription window November 1st- January 31st, package TBA) quarterly subscriptions will be increased $5, meaning $65 US/$75 CAN/$85 INTL. Subscribers can lock in at the current price point by purchasing the new option of an annual subscription (available soon!). More details to come later this month and next.
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The White Stripes XX
Self-Titled Outtakes -
Dead Leaves
I Fought Piranhas
Jimmy The Exploder
Let’s Build a Home
Little Red Book (Burt Bacharach)
Screwdriver
Slicker Drips
Sugar Never Tasted So Good
Wasting My Time
Why Can’t You Be Nicer to Me?
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Live at the Ritz 9/26/99 LP -
Astro (partial)
Jimmy the Exploder
Do
Sugar Never Tasted So Good
Little People
Broken Bricks
Suzy Lee
Let's Build a Home
Jolene (Dolly Parton)
Good to Me (Brendan Benson cover)
I’m Bored (Iggy Pop cover)
The Big Three Killed My Baby
Trick Bag (Earl King)
Screwdriver
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Live at Paycheck’s 3/13/99 DVD
Broken Bricks
Let’s Shake Hands
The Big Three Killed My Baby
Do
Jimmy the Exploder
Wasting My Time
Cannon - John the Revelator
Screwdriver
Astro
Sugar Never Tasted So Good
One More Cup of Coffee (Bob Dylan)
Lafayette Blues
Slicker Drips
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Live at the Magic Stick 5/30/99 DVD
I’m Bored (Iggy Pop)
Broken Bricks
The Big Three Killed My Baby
I Just Don’t Know What To Do With Myself (Bacharach/David)
Jimmy the Exploder
St. James Infirmary (traditional)
Astro
Cannon - John the Revelator (traditional) - Grinnin In Your Face (Son House)
Stop Breaking Down (Robert Johnson)
The Same Boy You’ve Always Known
Wasting My Time
When I Hear My Name
Lafayette Blues
Sugar Never Tasted So Good
Let’s Shake Hands
***Update: The hardcover hinged case previously described as "cloth-bound" is in fact "soft touch.***
@giants_fan
I actually get what you are saying. I appreciate the outtakes and demos as sometimes there is charm to that (with any artist) but I agree that you only need so many early WS live shows. I sold my Live at the Gold Dollar set that came out a couple years ago because it just seemed redundant, and the live show here does a bit as well. The packaging, book and outtakes are what make this set worth it to me, personally as I never watch live dvd’s of any artist.
and Claypool Lennon Delirium is fucking awesome!
Let’s agree here, I can understand the importance, worth and value of The White Stripes. It was wrong of me to say they are vanilla, and actually I like vanilla. But to me I cannot repeatedly go back to the same well or songs and find the same value as others can. I love classic rock songs but also hate them because the material gets worn on me like tread on a tire. My enthusiasm for White Stripes was once as much as probably mostof you all but then over time, and the same songs and material being released has left me feeling exasperated. I am always looking for new whether that is something new or old, or anywhere outside of my comfort zone. There are certainly very rare albums I can go back to and the artists below I love but even they have albums that I need time to pass before I listen again. I think many of you do find other artists and bands which I love and appreciate but some this cult like attitude to a single artists is something I cannot understand. I’ve enjoyed many vaults, but for those that I can’t stand I will still support and give third man my money knowing it won’t break the bank for me and if they have something I am fortunate to go to here in Nashville that I am very blessed to be in such a position (geographically).
I wish we still had the ‘Vault Chat’ feature as part of our subscription. Gave everyone the opportunity to discuss music in depth and GIANTS_FAN could raise his/her points directly with Jack / Ben while we were all guessing some random shit to win a test pressing… Ahhh those were the days ..
@JeffVoltage3 not worth the fight man
@giants_fan, no one is saying they only focus on Jack and don’t appreciate other music. All of the artists you listed are great, and definitely outside the field of “vanilla”. But The White Stripes definitely aren’t vanilla, or ordinary, or boring. But Third Man and The White Stripes go hand in hand. They’re the reason many people joined the Vault in the first place. What you’re doing is like going on a Paul McCartney site and complaining about the Beatles. Sure, Wings was a good band, but most people got into Paul through The Beatles.
Here I will try to expand your all’s thinking beyond vanilla… Queens of the Stone Age (Ok, just one of my favorite artists/bands ever and common), King Gizzard and the Lizard Wizards, The Eels, Thee Oh Sees, The Fratellies, Uni, The Claypool Lennon Delerium, Fruit Bats, Tyler the Creator, Childish Gambino, Soul Coughing, Lord T and Eloise, Buddy Guy, The Ohio Players, Isley Brothers, Curtis Mayfield, Bill Withers…. Hopefully some of these artist change your vanilla perspective of music to be able to focus on people outside of Jack White and appreciate artists as a whole instead of a singular artist.
This is the ultimate irony; complaining about too much White Stripes to a label that was built upon The White Stripes
@GIANTS_FAN I think you’re kind of missing the point here. Third man records was created by a young dude who wanted to release his own music, DIY, and that’s what he is still doing…and being creative with it. It’s ok if you got tired of them, or don’t wanna have every recording or special pressing of the White Stripes, but calling them names on a vault thread is just trolling that’s not a opinion…vanilla boy
This really made my day on a day I needed my day made. Thank god for the White Stripes.
Vanilla? Seriously? First of all, and correct me if I’m wrong, but there hasn’t been a White Stripes vault release since 2017, with the Live in Detroit 3 LP set, which is absolutley amazing, and one of my favourite vault releases. I’ve been anxiously waiting for more White Stripes packages! If you think the White Stripes are vanilla rock n roll, then maybe you don’t know what RockNRoll is anymore, or perhaps you’ve been eating a very different vanilla.