Announce: Monday, August 8th 12PM ET / 9AM PT
On Sale: Wednesday, August 10th 10AM CT


W/ Gel
The Blue Room - Nashville, TN
November 5, 2022
All Ages
Tickets: $16 advanced/$18 day of show
Doors: 7:00pm
Show: 8:00pm


Please note that all ticket sales will be available at will-call the night of the show. Please be prepared with your email ticket confirmation, your name, and some form of identification to show the door person.

*All ticket sales are final. No refunds or exchanges will be permitted*


Bio:

Ceremony’s lead guitarist Anthony Anzaldo doesn’t want to talk about the fact that his band has been around for over ten years. Or that they’ve drifted away from the hardcore genre that made them, or that they jumped ship from their long-time label, Matador Records, to join Relapse Records instead. Or that their sixth album will mark four years since the iconic punk band has released any new material. These things aren’t really important. What matters is that In the Spirit World Now is Ceremony’s most driving, intelligent collection of songs to date.

“We knew this had to be the best thing we have ever done,” admits Anzaldo. “We couldn’t come back after four years with a record that only had a few good songs.”

Produced by Will Yip (Title Fight, Circa Survive, Turnover) and mixed by engineer Ben Greenberg (The Men, Pharmakon, Hank Wood And The Hammerheads), In the Spirit World Now grows with each listen, balancing Yip’s pop sensibilities with Greenberg’s noise-punk influence through dramatic, shining synthesizer hooks and a mature vocal strategy. Drummer Jake Casarotti and bassist Justin Davis power through the 11-tracks as a strong yet sparse backbone that interlocks with guitarists Andy Nelson and Anzaldo to create a pop-centric, post-punk canvas for frontman Ross Farrar to expel the most vulnerable parts of himself. (And, thankfully, there are many.)

Farrar, who has been studying and teaching at the Syracuse University MFA Poetry Program for the past three years, has found himself as a vocalist on Spirit World, not only sounding more confident and in the pocket than he ever has before, but exploring amorphous lyrical territory about arrested development, botched relationships, and the never-ending hamster wheel of self-destruction so many creatives fall into.

“I’ve been very interested in will, as in a person’s faculty of consciousness and how we navigate actions and self-control,” Farrar says. “I’ve been worried for a long time that my lack of self-control will inevitably destroy me, so any paranoia on that matter is focused on this record.”

Spirit World is a carefully composed punk record by a band who is so in tune with one another as players that their physical separation didn’t affect the music when it came time to get together and work. Despite living in opposite ends of the country, they met up, rehearsed the new material, and demoed it out in Anaheim at a friend’s studio. After two weeks, the tracks were loose with Farrar only mumbling melody ideas on top of the band. A few months later, they linked up with producer Will Yip and he flushed out the demos, helping develop the structure as the songs took shape in the studio. To add some grit to their slew of polished post-punk hits, Anzaldo called on Greenberg to help develop melodies and interject synthesizers and keyboards into the songs before he mixed the record.
Tickets
TICKET11052022

Nashville - Ceremony Live at Third Man Records

Regular price $18.00 $16.00

Tickets also available at the door.

Announce: Monday, August 8th 12PM ET / 9AM PT
On Sale: Wednesday, August 10th 10AM CT


W/ Gel
The Blue Room - Nashville, TN
November 5, 2022
All Ages
Tickets: $16 advanced/$18 day of show
Doors: 7:00pm
Show: 8:00pm


Please note that all ticket sales will be available at will-call the night of the show. Please be prepared with your email ticket confirmation, your name, and some form of identification to show the door person.

*All ticket sales are final. No refunds or exchanges will be permitted*


Bio:

Ceremony’s lead guitarist Anthony Anzaldo doesn’t want to talk about the fact that his band has been around for over ten years. Or that they’ve drifted away from the hardcore genre that made them, or that they jumped ship from their long-time label, Matador Records, to join Relapse Records instead. Or that their sixth album will mark four years since the iconic punk band has released any new material. These things aren’t really important. What matters is that In the Spirit World Now is Ceremony’s most driving, intelligent collection of songs to date.

“We knew this had to be the best thing we have ever done,” admits Anzaldo. “We couldn’t come back after four years with a record that only had a few good songs.”

Produced by Will Yip (Title Fight, Circa Survive, Turnover) and mixed by engineer Ben Greenberg (The Men, Pharmakon, Hank Wood And The Hammerheads), In the Spirit World Now grows with each listen, balancing Yip’s pop sensibilities with Greenberg’s noise-punk influence through dramatic, shining synthesizer hooks and a mature vocal strategy. Drummer Jake Casarotti and bassist Justin Davis power through the 11-tracks as a strong yet sparse backbone that interlocks with guitarists Andy Nelson and Anzaldo to create a pop-centric, post-punk canvas for frontman Ross Farrar to expel the most vulnerable parts of himself. (And, thankfully, there are many.)

Farrar, who has been studying and teaching at the Syracuse University MFA Poetry Program for the past three years, has found himself as a vocalist on Spirit World, not only sounding more confident and in the pocket than he ever has before, but exploring amorphous lyrical territory about arrested development, botched relationships, and the never-ending hamster wheel of self-destruction so many creatives fall into.

“I’ve been very interested in will, as in a person’s faculty of consciousness and how we navigate actions and self-control,” Farrar says. “I’ve been worried for a long time that my lack of self-control will inevitably destroy me, so any paranoia on that matter is focused on this record.”

Spirit World is a carefully composed punk record by a band who is so in tune with one another as players that their physical separation didn’t affect the music when it came time to get together and work. Despite living in opposite ends of the country, they met up, rehearsed the new material, and demoed it out in Anaheim at a friend’s studio. After two weeks, the tracks were loose with Farrar only mumbling melody ideas on top of the band. A few months later, they linked up with producer Will Yip and he flushed out the demos, helping develop the structure as the songs took shape in the studio. To add some grit to their slew of polished post-punk hits, Anzaldo called on Greenberg to help develop melodies and interject synthesizers and keyboards into the songs before he mixed the record.