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Margo Price has shared the opening track from her debut LP Midwest Farmer's Daughter (out March 25th) as an instant-grat download on iTunes and Amazon, and as a single on Spotify. "Hands of Time" is a bleeding country anthem that doubles as album centerpiece and biographical mission statement. Stream it below:
Midwest Farmer's Daughter was recorded at Sun Studios in Memphis, with Price pawning her wedding ring and selling her car to pay for the sessions. Next week she'll perform at NPR Music's SXSW showcase, billed next to Vince Staples and Anderson Paak, along with 5 other performances throughout the weekend. See her full schedule below:
In addition, yesterday morning the New York Times ran a massive '25 Songs That Tell Us Where Music Is Going' package, including Price's "Hurtin' (On The Bottle)" alongside songs by everyone from Rihanna, Coldplay, Run the Jewels, Kendrick + more. Read the incredibly compelling feature here.
Early praise for Margo and Midwest Farmer's Daughter:
"To listen to a song for the first time, by a performer you don’t know, and feel uncomplicated joy, with awe laced through it, is a rare and wonderful thing. That’s how I felt when I first heard Margo Price." - New Yorker
"Effortlessly badass" - Stereogum 'Band To Watch'
"Country's Next Star" - Fader
"A potential classic" - Pitchfork
"Margo Price will stop Music Row dead in its tracks." - NPR Music
Our story begins in the palm treed hamlet of Colonialtown, Florida in 2011, where a nameless band spent their lazy evenings playing Derry Weaver songs for a gang of weed dealers called the Golden Pelicans, who, at the time enjoyed a monopoly in this Orlando suburb. When the Pelicans surrendered in a turf war with rival dealers The Earls, they lost their moniker, and their house musicians (why yes, the anonymous Gamblers cover band!) lifted it as their very own and ditched their surfer stylings for full on musical vengeance on behalf of their namesake — minimally theatrical, maximally impactful, self-described "hard punk."
One might get the impression from this tale that the gents of Golden Pelicans are lazy... opportunistic even! One would be dead WRONG. Besides their 100% success rate in making every girl and boy who listens to their classics like "Jump in a Lake" or "Pissing in a Puddle of Puke" feel positively despised, the band also runs its own label, Total Punk Records, and they also have poured their (dead) hearts and (doomed) souls into the TOTAL FUCK OFF Festival for three years running. Rumor has it this year will be the last, but we doubt that means they'll be back to Moon Dawgin' anytime soon.
Golden Pelicans will take over TMR (and we won't get in their way) March 25th, alongside three equally ill-tempered openers, most notably Goner Records darkling darlings and one of Memphis' most necessary, NOTS. NOTS are unrelenting bass lines, stormy apocalyptic guitar, nagging feedback, ever-present synths, and a top-of-their-lungs, pay-the-hell-attention, baseball-bat-to-your-windshield sort of vox that's as progressive as it is primitive. Heaps of praise point to DNA or The Petticoats and, sure, but that belies one point: they're a force to be SEEN just not through a SCREEN.
Two local bands will start the evening... Watcher at 7pm in the Blue Room with a special pre-show in-store performance by Cat Flaps at 5:30 in the storefront. Tickets available now.
Saturday, March 26th
Doors/Patio Grill Out 7pm, Show 8pm
$15: Tickets available NOW
We have a theory: It's impossible not to like Autolux. Because Carla Azar. Because of the soundtrack-of-the-otts symphony of their first two records. Because of their upcoming release PUSSY'S DEAD, which, judging by what we've heard, sounds more like the future than the score of TRON. Because two of the band's members met while composing the music for a Nobel-prize winner's play. Because Danger Mouse's 30th Century Records is their new label home (and we love us some Danger Mouse.) Because this. And this. And this.
Check out "Soft Scene," the first single off Autolux's new record, out April 1st, and get your tickets for their Blue Room performance, scheduled for Saturday March 26th and set to be recorded direct-to-acetate and released as — what's sure to be — one of our best live records to date as fast as humanly possible.
As a central figure of the bustling European modern art movement of the early 20th century, German-born Hans Richter left an enduring legacy in the realms of graphic design, surrealism, and abstract expressionism. And yet - despite being among the first to apply these techniques to the discipline of filmmaking - to the casual cineaste, his name may not reverberate with the gravity of many of his contemporaries (think Maya Deren, Jean Cocteau, Luis Buñuel.) Nevertheless, after emigrating to the US in the early 1940's, Richter directed a landmark of surrealist narrative cinema, DREAMS THAT MONEY CAN BUY - finally, a worthy American counterpart to tentpoles of the European avant-garde like UN CHIEN ANDELOU and BLOOD OF A POET. The hallucinatory narrative, concerning a man who sells dreams to meet the demands of a hastily signed lease, is the product of collaboration among a veritable honor-role of early-century creative minds: Marcel Duchamp, Max Ernst, Man Ray, John Cage to name a few...it was even produced by Peggy Guggenheim. As a testament to the film's enduring impact, look no further than to David Lynch, who often cites DREAMS THAT MONEY CAN BUY as one of the most acute influences on his work. Hip hop figurehead Drake even name-checked the film in 2011, lifting the title for a track promoting his Take Care album.
Join us in the Third Man Records Blue Room on March 17th, as The Light And Sound Machine presents a mini-retrospective of Richter's films on rarely-exhibited 16mm prints. In addition to DREAMS THAT MONEY CAN BUY, the night will begin with a suite of Richter's early silent shorts, accompanied by a live score performed by Nashville's pre-eminant psychedelic ensemble, The Paperhead.
Now that AUDIO SOCIAL DISSENT 2016 TOUR is in full swing it seems only right and natural to bookend such a savage offering with a crown jewel, a last hurrah and a splash champagne. The champagne of BEERS that is...at good ol' BEERLAND in sweet sweet Austin, TX. If you're not followin' what I'm layin' down, do me a favor, get the off the internet or--better yet--do yourself a favor. It's high time you Do SXSW Right™. So, please, join us on Thursday, March 17th, for our finest showcase yet on the carmine banks of the Red River and get prepped for a baptism in farewell tears and rocker puke while some corporate bigwig in the background 3D prints your mood and turns it into a SXSW keychain. Event specifics are below.
THURSDAY, MARCH 17th @ BEERLAND
7:45pm GUERILLA TOSS
10pm TIMMY'S ORGANISM
10:45pm SPRAY PAINT
11:45pm WOLF EYES
12:45pm THE SPITS
Jack White had some important business to tend to with his friend Kermit involving matters of the heart on The Muppets season finale TONIGHT. Jack's performance of Stevie Wonder's “You Are The Sunshine Of My Life” is now available for pre-order on vinyl 7” from Third Man Records, as well as digitally from iTunes and TIDAL! Watch the performance below and pre-order your copy of the single at thirdmanstore.com.