This site no longer supports Internet Explorer 8 or other older browsers. Please use a modern browser.
Sad but true, Sunday will be the final day of our BLUEPRINTS Paramount Records focused pop-up shop in Austin, TX. We have loved our temporary second home in Billy Reid's storefront, and it's been our pleasure to stretch our eagle wings into the Lone Star State. To go out with a bit of a bang, we'll have a handful of limited edition records available each day from tomorrow to Sunday.
- THURSDAY The Dead Weather Live Black & Blue LP (never commercially available outside of the Vault) + The Dough Rollers “Little Lily” tricolor 7"
- FRIDAY Quintron & Miss Pussycat Live Black & Blue LP and The White Stripes “Lord, Send Me An Angel” tricolor 7"
- SATURDAY The Great Gatsby Soundtrack Limited Edition Gold and Platinum Double LP (first commercially available metallized records ever!) and Karen Elson “Milk & Honey” 7" on Honey Yellow vinyl
- SUNDAY Flat Duo Jets split-color Go Go Harlem Baby LP and Jack White “Would You Fight For My Love?” tricolor 7"
We will be doing our drawing for the winner of Volume 1 of The Rise and Fall of Paramount Records on Sunday as well, so if you haven't stopped in the store, entering the drawing now adds to the list of reasons why you should.
The rest of the reasons? Well, we don't know... How about Third Man Records vinyl, merchandise and novelties (zippos! shot glasses! guitar straps and picks!)? How about spending time immersing yourself in the catalog of Paramount Records, which boasts one of the greatest musical rosters ever assembled under one roof? Maybe even taking one home to explore on your own... you'll be an expert on American music in no time. How about taking a load off and kicking back with a pair of headphones and some of our best releases? We could go on...
Either way, we look forward to seeing you in our final days in Austin. Blueprints is located at 1122 West 6th Street in Billy Reid’s gallery space, and is open from 10 - 7 Thursday through Saturday and 12 - 6 on Sunday.
Light + Sound Machine, along with the Belcourt Theatre and Third Man Records, present...
d. Nabwana I.G.G. - Uganda - 2010/2015 - 69min - Digital Video
Made for a mere $200, the first Ugandan action film is a riotous amalgamation of 80's Hollywood actioneers and classic Asian Kung-Fu movies, filtered through the gritty no-holds-barred immediacy of Samuel Fuller. Having swept through urban Uganda upon it's 2010 release, the film that announced the arrival of "Wakaliwood" cinema was recently remastered and released for a worldwide audience. Now it's become a worldwide phenomenon, garnering generous praise from Vice Magazine and the BBC World Service.
Arrive early for special Wakaliwood content like trailers, behind the scenes footage, documentaries and more, starting at 7pm!!
Post screening discussion with director Nabwana I.G.G., producer Alan Ssali Hofmanis, and various cast members live via Skype from Kampala, Uganda, PLUS all attendees are invited to become a part of the action. How? Well, we'll be shooting footage of the Light & Sound Machine audience to send to director Nabwana I.G.G. who will then incorporate our explosive demise into an upcoming feature film. WHAAAAAAT?!
Discounted $8 tickets are available for Belcourt members via the Belcourt website.
All member and non-member tickets will be available via will call, day-of-film, at Third Man beginning at 7pm. PURCHASE TICKETS HERE.
Happy Memorial Day from your buddies at Third Man Records! Special deal for y'all: utter the secret passcode "Harum-Scarum" to the good folks in our Nashville storefront for 15% off your purchase! (Some exclusions apply.) We are open 12-5pm today for your record buyin' music listenin' booth recordin' general perusin' pleasure.
Contrary to reports, the poem recently posted by Jack White had absolutely nothing to do with the current interest in the Tidal streaming service q & a with Third Man followers. It was a stand alone piece and was never issued as a press release. It can be found on the Third Man Books site here.
OFFERINGS INCLUDE VINYL REISSUE OF DEBUT ALBUM ON THE TRACK AND FIRST-EVER RELEASE OF LONG WAY FROM HOME
photo by Angelina Castillo
Third Man Records is proud to announce the forthcoming releases of jazz and roots legend Leon Redbone's debut album On the Track and Long Way From Home, the never-before-released earliest known recordings of the mysterious performer. The news of the Third Man releases follows the recent announcement of Leon Redbone's retirement from both public appearances and recording.
On the Track – Leon Redbone's debut LP – was originally issued on Warner Brothers Records in 1975 and will be reissued exclusively on vinyl by Third Man Records. Long Way From Home was recorded in 1972 by Dave Benders for WBFO Radio at the University of Buffalo and features some of the earliest known Leon Redbone recordings. Long Way From Home was never released commercially and will finally be available in CD, LP and digital formats for all to enjoy. Specific release dates for the two offerings are forthcoming, but in the meantime, peruse the track listings below.
ABOUT LEON REDBONE
Redbone’s career has spanned over four decades and began with his earliest performances on the folk festival and club circuit. His numerous appearances on The Tonight Show with Johnny Carson and Saturday Night Live and other outlets catalyzed his rise to international recognition. Over the ensuing years he has appeared throughout North America, Europe, Australia and Japan and released thirteen albums of his unique music, a panoply of early music styles that he delivered with his singular laconic idiosyncratic style.
A true champion of early American ragtime, blues and jazz, Leon Redbone has spent a lifetime preserving that musical tradition while exposing successive generations to a rich musical heritage of which they might not otherwise have become aware.
On the Track Tracklisting:
Sweet Mama Hurry Home or I'll Be Gone
My Walking Stick
Desert Blues (Big Chief Buffalo Nickel)
Lulu's Back in Town
Some of These Days
Big Time Woman
Polly Wolly Doodle
Long Way From Home Tracklisting:
1. Looked Down the Road
2. Mother Queen of My Heart
3. T B Blues
4. Don't Let It Bother You
6. Me and the Devil
7. If I Had a Possession Over Judgement Day
8. Mississippi Blues
9. Kind Hearted Woman
10. Love Letters
11. Hurry Home
12. Jailhouse Blues
13. Walking Stick
15. Gamblin' Barroom Blues
16. My Good Gal's Gone
17. Yodelling Cowboy
18. Bootleg Rum Dum Blues
You've got questions and comments about TIDAL, and Jack White has answers... These questions and comments were submitted by members of the Third Man Records Vault as well as fans on Facebook, and are addressed here by Jack White himself.
From Vault Members in Vault Chat:
Will smaller artists be treated more fairly with TIDAL than, say, Spotify?
Jack: Damn straight. I'm aiming to get unknown artists paid so that they can make more music.
Can you tell us more about TIDAL?
Jack: TIDAL is going to help a lot of artists out. I'm talking about the punk band that has 50k hits on Youtube and doesn't see a dime.
I think TIDAL is a noble cause, I don't understand the backlash that it's getting.
Jack: There’s a lot of misinformation about music in the last decade, people know that it costs a lot of money to make a super hero movie, but they don't know that it costs millions to make a country album too.
Will the release of TIDAL help TMR grow as a company?
Jack: We want to get the music of TMR from the unknown artists out to as many people as possible.
Thank you for being an advocate for all musicians, not just the ones who have made it.
Jack: Glad you dig it. Unknown musicians don't have a voice being heard, i want those artists to make a living at being artists so more great music can happen.
I really struggled to tell a large difference in "high definition" audio with the PONO player. Is TIDAL that much better?
Jack: Depends on what you're listening too. Ear buds and computer speakers are only good for ham radio as far as I can hear! Haha! Remember there was a culture of hi fidelity stereo audiophiles that got tossed aside because of computers being the new stereo. There was a lot of beauty in that, just like watching a nicely streamed hd movie on a wide screen television with surround sound is gonna be the next plate?
What are some of your favorite artists on TIDAL that we can check out?
Jack: I want to get all of tmr's music on TIDAL, so those songwriters and musicians can get their songs to a bigger audience (remember most of those artists don't get radio airplay) and I want them to get paid royalties for their songs too so they can live.
I trust that you wouldn't get involved in a simple grab for money like other people are accusing y'all of... I just wish it was something I could afford. With the vault membership, there's not much left over for other "non-essentials…"
Jack: Well I used to buy three records a month at 18 bucks a piece when I was a teenager bussing tables. I also went to the movies three times a month. What did that cost? Same as today with inflation? hmmm...
How big of game changer do you think TIDAL will be?
Jack: It's about educating everyone. It could make a difference just like tmr has made in the vinyl world in that last 6 years. It starts with people who think music is sacred and beautiful.
I think TIDAL is great for the fact that it will get more money to artists. After reading how little Pharrell from Pandora streaming off of one of "Happy." Really made me realize how little musicians just starting out must be making, when Pharrell only made $2700 off of something like 43 million plays
Jack: Yep, whoever started the model of making a website that gets paid by big advertisers (Youtube) and does not pay that money to the artists GENERATING the interest. Makes no sense to an artist trying to survive.
I totally understand wanting to help out smaller artists. My musicians buddies are all struggling.
Jack: But also bigger artists, medium artists, whatever, if PSY gets viewed 2 billion times and makes a couple grand, where did all his money go?
It's also very important to buy real records from artists you love when they are on tour. That buys gas in our tanks when we were struggling.
Jack, I truly believe TIDAL will change music in 21st century... for the sake of music Jack, did all the artists from TIDAL get along?
Jack: Yes we did. We spent all last night talking and discussing ways to make it very cool. Here's the shocker: musicians want you to hear their music in the best ways possible. We mix on very nice speakers and systems only to have 90% of it be heard on tiny components that cut out half the information
Any largely unknown artists we should be looking for on TIDAL?
Jack: I hope tons. I want tons of obscure albums that haven't been digitized to be on there too. Loretta Lynn recorded something like 90 albums! How many can you acquire or stream digitally? 4? 6? Where are the other 80+?
Which is why I find it interesting that you listen to your music playback in your car when you're working on records, or so I read.
Jack: Digital in the car, Vinyl in the bedroom, baby
Does TIDAL have any plans for supporting independent artists? I hear that services like Youtube will soon be wiping away independent artists vids etc. or they will be charging them to host their content... something to that effect anyway...
Jack: Lots of ideas, but you KNOW I'm all for independent artists getting heard.
TIDAL is a bit elitist to be talking about the little guy in the music industry no?
Jack: What is elitist about it? Who's speaking for the little guy?
Jack, it's because everyone has gotten used to free and cheap
Jack: Should movies be free too? How about food?
From Fans on Facebook:
With the amount we pay for the Vault, TIDAL should be free, not just discounted
Jack: Third Man does not own or make decisions for tidal, this deal is incredibly cool and took us a long time to work on the logistics of. third man is artist owned, and tidal is artist owned. it wasn’t something we had to do at all, but we wanted the vault members to all know they come first and they have a portal to this artist run streaming service through us now.
What a joke. I refuse to support The vault and TIDAL. if you claim music is so special and sacred then why charge a premium for people to enjoy it?
Jack: How much did you pay for that last movie you saw at the theater? And how much did that movie cost to make? Don't devalue musicians man, support them. Making records is expensive, believe us, I don't see people saying we should go to the movies for free, or Netflix should be free. that state of music is in flux, be on the side of supporting creativity, not taking from it. this gives you that chance.
I can purchase a new record every month with that $20.
Jack: Please do! When I was a teenager I would go to the record store twice a month and buy 4 records each trip, anywhere from between 12 and 18 bucks a piece! and guess what? i still do! and with tidal, for 9.99 you have every record they can possibly get there hands on to stream. In the car, in the gym. Places you can’t play vinyl right? Think about it: how much did you spend on movies this year?
Sorry Jack, but I have 0 interest in making JayZ more money, and I don't understand how Jack could be involved in this awful business model. Totally screws the fans, I thought he was a bit above that. How much money does he need?
Jack: A streaming service owned by artists is the first step, it’s not about the rich getting richer. it takes artists that can get peoples attention to be able to make a scenario possible for those artists that don't have a voice to get in a position where they aren’t struggling, and believe me third man records is full of artists the mainstream’s never heard of and have no voice or power in the system. have you heard of Rachelle Garnier? what about the Smoke Fairies? Drakar Sauna? Pujol? The Gories? Those are just some of the up and coming artists on third man that try to make a living in music. And if you stream their songs… they get paid for it. And they get to LIVE and not take second jobs….and make MORE music! I support keeping musicians you love in business. We want a full third man roster page on tidal that you can stream hundreds of records on, and each time that artist gets something. that’s a beautiful thing.
And also… do we tell Steven Spielberg we don't need to pay him anymore to watch his movies? He’s made enough off of us right? He should show his new films for free right? haha
As you may already know, Platinum Vault members are eligible to get a TIDAL HiFi subscription for $5/month (a 75% discount!) Read more about that here. If you're not a Vault member, sign up here. If you're ready to sign up for unlimited lossless streaming, proceed to TIDAL.com...