THIRD MAN RECORDS AND BOOKS ANNOUNCES ISSUE #3 OF QUARTERLY PRINT PUBLICATION MAGGOT BRAIN

12/11/2020

PURCHASE ISSUE #3 HERE

SIGN UP FOR THE FOUR-ISSUE YEARLY SUBSCRIPTION HERE


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Third Man Records & Books is excited to announce Issue #3 of Maggot Brain, a full-color quarterly magazine containing over 100 pages packed with art, music, literature, interviews, and archival stories. The Dec/Jan/Feb issue is available now, and yearly four-issue subscriptions can be purchased HERE.

Third Man is back with ink on paper and stoked to bring you a super-packed special issue of their arts and music quarterly Maggot Brain! For this cover story, Maggot Brain dives into the genesis and continued import of its namesake, with a lengthy feature by Detroit music journo Ana Gavrilovska on the mind-melting fifty year-old Funkadelic masterpiece Maggot Brain. This issue also features rare photos of the White Stripes live at Paychecks Lounge in Hamtramck Michigan from 1999 by noted photographer Doug Coombe. There’s a mini-roundtable discussion on gay rights pioneer Morris Knight and San Francisco's brilliant hippie queer activist pranksters the Cockettes and the must see pages with Rachel Leah Gallo's eight-page bio-comic on the delightful and obscure kitchen-folk singer Connie Converse.


In this issue:

• Dynamic photographs by Mike Galinsky from the late 1980s to early 1990s indie/underground music scene.

• RJ Smith dives deep on Fortune Records in a review of the 'Mind Over Matter' book.

• Murat Cem Mengüç documents the impromptu art show that sprung up around the White House

at the start of the Black Lives Matter movement.

• Andy Beta on Brazilian composer, anthropologist, and musician Priscilla Ermel's gorgeous work.

• Instagram sensation Tara Booth in an intimate interview with Amy Gillfeather.

• Joshua James Amberson goes deep on poet Lydia Tomkiw

and her stunning new wave band Algebra Suicide.

• Michael Gonzales on 1990s neo-soul singer Ephraim Lewis.

• Robert Gordon on Memphis' primitivist aesthete Tav Falco -- an excerpt

from the final chapter of It Came From Memphis.

 

Also Featuring:

Luc Sante on an unknown 1960s garage rock band! Australia's brilliant Stroppies!

Reviews of cassette tapes! Dreams about Sam Elliott! A killer poem written by a fifteen year-old!

Fiction by Mairead Case! Art by Nathaniel Russell, Davin Brainard, the Philadelphia Wireman,

and Marc Bell! Tweets by John Brannon! Unseen photos of Detroit punk pioneers L-Seven!



We love you and promise to never have a ‘real’ website. Long live print!

We miss cigar-smelling newsstands crammed with amazing publications from everywhere all at once. We miss Creem. We miss Ragtime Ephemeralist. We miss Spy. We miss NY Rocker. We miss weirdo newsprint thrust at us right by subway entrances. We miss Weirdo. We miss Locus Solus. We miss Off Our Backs. We miss Low Rider. We miss Kicks. We miss The Voice. We miss Motorbooty. We miss Avalanche. We miss Grand Royal. We miss Slash. We miss the Gentlewomen of California. We miss Raw. We miss being able to find stacks of old OzIt, or Black Panther newspapers in the back of that used bookstore in the strip mall. We miss the red and black. We miss the crowding into See Hear. We miss Index Magazine.

We miss anything that Joe Brainard did a cover for, that printed words by Lucy Lippard, that ran yet another bare-chested image of Iggy Pop, that told stories for no reason other than they must be told. And yeah, we are aware how cheesy that last bit sounds, but we are pretty much cool with being cheesy -- just look what the fuck kind of politics irony, disaffection, and that laziest vice of privilege have got us into.

And yes, you get it, we love print but we do not merely live in the past surrounded by the moldy old, really. We mean, fantagraphics is still publishing new issues of Love & Rockets, plus there is so much new stuff. From every single piece of paper at the Printed Matter Book Fair to the eight-colored silkscreen books of Le Dernier Cri, from your scrawled punk grad thesis ‘zines to the perfectly printed works of Eberhardt Press, there is still so much, and so much we do not know about being made now. And we still believe in the democratizing possibilities of the internet, despite its current state. We’re not luddites, but. Just please don’t ask us where our website is.

Over 100 pages packed with phenomenal content - art, music, literature, and unpublished archival stuff + more.