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Thanks for making the big announcement, Gnash! Jack White is excited to announce his first two tour dates of 2015, a pair of special arena shows at Bridgestone Arena in Nashville on January 28th and New York City’s Madison Square Garden on January 30th. A limited number of pre-sale tickets will be available to Vault members on Tuesday, October 7th at 10am local time. Tickets go on sale to the public at 12pm local time on Friday, October 10th.
On June 14th of this year, Jack White unleashed what was arguably one of the best performances in the 13 year history of the Bonnaroo festival.
In an expansive field in Manchester, TN, filled with approximately 70,000 fans, White let loose a tour-de-force, 26-song, two-hour and forty-five minute career-spanning set. From White Stripes songs like “Hotel Yorba” and “Icky Thump” to Raconteurs numbers such as “Top Yourself” and “Steady, As She Goes” through “Blue Blood Blues” by the Dead Weather…not to mention a wide selection of his solo material and covers of two surf rock classics “Pipeline” by the Chantays and “Misirlou” by Dick Dale. And Led Zeppelin’s “The Lemon Song”? He did that too.
In order to celebrate a show of such historical heft, Third Man Records has decided to dedicate the entirety of its 22nd Vault package to this performance.
Three vinyl LPs (white, blue and black), housed in a soft-touch, telescoping box, topped off with a lenticular television on the cover…this is by far the most ambitious Vault package yet. The audio has been mixed by Third Man’s in house engineer, three time Grammy Award-winner Vance Powell and stands as a marked improvement over the on-the-fly board mix heard in webcasts, YouTube uploads and shady downloads.
In addition, there will be a DVD of the FULL performance, re-edited from the original raw footage by Brad Holland (filmmaker extraordinaire), for a truly memorable visual document of the evening.
We could’ve stopped there…but anything worth doing is worth overdoing, right?
Also included in the package will be four high-quality 8x10 photographs from the evening shot by David Swanson. Suitable for framing, timeless, these will increase the value of your home tenfold.
(said to the guys in production) “Is that all? NO?!?!? Are you kidding me? What else could we offer?”
Apparently we’ve lost our minds and gone as for to include a customized Jack White patch, a replica backstage pass sticker AND a poster in this beast of a package.
You want a custom-designed USB with super-secret extra added bonus materials too? Have at it.
If this package doesn’t make you happy…nothing will.
Subscriptions are open now, get yours in before the October 31st deadline.
It was only a lucky few iNDie Festival attendees who witnessed Alloy Orchestra's performance of their soundtrack to the 1929 silent film "The Man with the Movie Camera" in our Blue Room last Fall, so we are pleased to bring the recording to you in the form of a double LP, available now online and in our Nashville storefront. Alloy Orchestra is a 3-man musical ensemble — Roger C. Miller, Ken Winokur, & Terry Donahue — who use "racks of junk," synthesizers, and all sorts of other unusual instruments, found objects, and unlikely noisemakers to aurally accompany silent films. Roger Ebert has called them "the best in the world at accompanying silent films," and we can't disagree. "The Man with the Movie Camera," directed by Dziga Vertov and edited by his wife Elizaveta Svilova, is a documentary with no specific cast or narrative. In the film, a man carries out his day in the city as a member of the proud proletariat, capturing invention and the relationship between man and machine in Lenin's Soviet Union.
Purchase your copy here. If you purchased a black & blue copy at the performance, you can pick it up at our Nashville storefront during normal business hours.
October 11th's Literary Death Match is a Nashville first! Co-hosted by Third Man Books, Humanities TN, and Porch Writers' Collective as the cherry on the Southern Festival of Books' sundae, it promises to be the rowdiest literary rumble Music City has ever seen. You wouldn't want to miss that, would you? If you're dying to go but haven't yet purchased tickets, we invite you to join our ticket giveaway on Twitter. There will be 3 lucky winners. Each winner receives a pair of tickets to the Literary Death Match + a copy of Language Lessons Vol 1. (BONUS!)
Entering is easy. Follow @thirdmanbooks and express your interest in the @LitDeathMatch happening October 11th at @thirdmanrecords. Be sure to tag @thirdmanbooks in your tweet. Winner will be chosen at random on Thursday, October 9th.
The Dutchess and the Duke have made two albums of wonderfully sincere, heartfelt and true songs. Their self-described “campfire punk” is equal parts beautiful boy/girl harmonies, subdued finger-picked acoustic guitar pairings and minimal percussive accoutrements. In short…it’s sublimely compelling. After a hiatus of a few years, they’re slowly creeping back into live performances and Third Man could not be happier to host them, recording direct-to-acetate in the relaxed, intimate setting of the Blue Room.
The performance will take place Friday October 10th at 8pm and will be preceded by a Third Man-style cook-out on the patio beginning at 6:30. Come hungry for hot dogs and good music! Tickets are available now for $10 in our Nashville storefront and at thirdmanstore.com. And, while you're at it, why not make it a weekend of Third Man approved entertainment and attend the first-ever Nashville Literary Death Match the following night? See you then, friends.
Valerie and Her Week of Wonders
Jaromil Jires / Czechoslovakia / 1970 / 75m / color / 16mm
A masterwork of the Czech New Wave, Jires' feverish fantasy follows the plight of young Valerie, who on the occasion of her entry into womanhood, finds her idyllic village transformed into a nightmarish carnival of vampires, occult ritual, and magic. Family and friends become possessed and priests become predators - nothing is what it seems in this surrealist exploration of the perils of sexual awakening.
PRECEEDED BY TWO AVANT-HORROR SHORTS:
Peter Tscherkassky / Austria / 1999 / 10m / b&w / 16mm
"A young woman, night, an American feature film. She enters a house, a dark corridor, a thriller. While she forces her way into an unknown space together with the viewer, the cinematographic image-producing processes go off the rails. The rooms telescope into each other, become blurred, while the crackling of the cuts and the background noise - the sound of the film material itself - becomes louder and more penetrating. "The pace becomes frenetic, the woman is being pursued by invisible opponents, pushed against a mirror, walls of glass burst, furniture tilts and the cinematographic apparatus which the heroine begins to attack in blind fury also collapses. The images jump and stutter, the perforation holes tilt into the picture, the sound track implodes in a will o' the wisp destruction scenario - something which only film can do so powerfully. In ten minutes OUTER SPACE races through the unsuspected possibilities of cinematographic errors - a masterpiece."
- Stephan Grissemann
Saint Flournoy Lobos-Logos and the Eastern Europe Fetus Taxing Japan Brides in West Coast Places Sucking Alabama Air
Will Hindle / USA / 1970 / 11m / color / 16mm
Presaging details and intent of the Charles Manson's cult and actions was not meant to be one of this film's greater attributes. It was, however, filmed uncannily months before the facts were known. The resemblance is oblique. The film: the mysticism of a "calling," a journey to be made, a vision in mid-desert to behold and oneness with it all. Filmed in Death Valley.