{"title":"Selected By Geese","description":"","products":[{"product_id":"live-at-goose-lake-august-8th-1970","title":"Live at Goose Lake: August 8th 1970","description":"\u003cp\u003eThe apocryphal tale of the Stooges performance at the Goose Lake festival has been told countless times over the past five decades. Bassist Dave Alexander, due to nerves or overindulgence or whatever you choose to fill in the blank, absolutely spaces in front of 200,000 attendees. He does not play a single note on stage. He is summarily fired by Iggy Pop immediately following the gig. Here starts the beginning of the end of the Stooges.\u003c\/p\u003e\n\u003cp\u003eBut what if that simply...wasn't the case? What if you could prove otherwise? Well, it'd be the proto-punk equivalent of having an immediate, on-the-scene, man on the street report of all those folkies booing Dylan's electric set at Newport in '65. Irrefutable evidence of what ACTUALLY went down.\u003c\/p\u003e\n\u003cp\u003eFound buried in the basement of a Michigan farmhouse amongst other tasty analog artifacts of the same era, the 1\/4\" stereo two-track tape of the Stooges complete performance at Goose Lake on August 8th, 1970 is the Rosetta Stone for fans of this seminal band.\u003c\/p\u003e\n\u003cp\u003eNot only is this the last ever performance of the original godhead Stooges line-up, but it is the ONLY known soundboard recording of said line-up. Playing the entirety of their canonical 1970 masterpiece, Fun House, the sound, the performance, everything about this record is revelatory.\u003c\/p\u003e\n\u003cp\u003eWould you believe that...Alexander actually DID play bass on this occasion? Or that, despite a handful of flubs, he manages to hold his own? Especially on the bass-led songs \"Dirt\" and \"Fun House\"? Does Iggy provoke the crowd to tear down festival barriers? Did the powers that be pull the plug on the Stooges? So many questions are answered only to have more arise.\u003c\/p\u003e\n\u003cp\u003eReleased to coincide with the 50th anniversary of the performance, Live at Goose Lake: August 8th, 1970, is the rare release that literally rewrites the history of these Rock and Roll Hall of Fame inductees.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Third Man Store","offers":[{"title":"12\" Vinyl","offer_id":37249930068126,"sku":"TMR676LP","price":25.0,"currency_code":"USD","in_stock":true},{"title":"CD","offer_id":37249930035358,"sku":"TMR676CD","price":13.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0441\/1349\/4174\/products\/tmr676_thestooges_liveatgooselake_3600x3600_bbb43b3a-2373-47ae-9fb0-42ae9aa703e2.jpg?v=1621452494"},{"product_id":"new-grass","title":"New Grass","description":"\u003cp\u003eAlbert Ayler's 1969 album, New Grass, has been misunderstood from the day of its release. The album finds Ayler experimenting with soul music and digging back into his R\u0026amp;B roots (he started his career playing saxophone with Chicago bluesman, Little Walter), fusing it with the avant-garde free jazz (the one element of the record which garnered consistent praise) and adding the vocals of Rose Marie McCoy, The Soul Singers, and Ayler himself. As if predicting the divisiveness of the record to follow, Ayler speaks directly to the listener and explains that New Grass is nothing like his albums before, that it is of \"a different dimension of his life,\" in the album opener \"Message from Albert.\"\u003c\/p\u003e\n\u003cp\u003eNew Grass deserves reconsideration, if not for the heavy grooves and surprising arrangements, then for its bravery in challenging norms of the time; by the '60s, jazz was well-accepted as a uniquely American art form, while soul as a genre was very much still seen as primitive. Ayler melds them together and creates something novel, adventurous, and completely his own.\u003c\/p\u003e\n\u003cp\u003eAt the time of its release, despite its divisive reception, New Grass helped break down the unnecessary walls dividing genres and revealed music's potential freedoms. The album has gone on to influence generations of Jazz, R\u0026amp;B, Funk, Hip Hop, Post Punk, No Wave and unshrinking artists like Pharaoh Sanders, Alice Coltrane, Funkadelic, Jungle Brothers, Red Krayola, Sonic Youth, and Mark E. Smith.\u003c\/p\u003e\n\u003cp\u003eThird Man Records can't recommend this record highly enough. We are confident that it won't take but one listen for you to understand New Grass is an undeniable healing force.\u003c\/p\u003e","brand":"Third Man Store","offers":[{"title":"Default Title","offer_id":42448870604958,"sku":"TMR638","price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0441\/1349\/4174\/products\/tmr-638_albert-ayler_new-grass.jpg?v=1608785074"},{"product_id":"the-melvins-live-at-third-man-records","title":"The Melvins: Live at Third Man Records","description":"\u003cp\u003eRecorded Direct-To-Acetate on May 30th, 2013 at Third Man Records in the Blue Room\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"100%\" height=\"166\" src=\"https:\/\/w.soundcloud.com\/player\/?url=http%3A%2F%2Fapi.soundcloud.com%2Ftracks%2F110951802\" scrolling=\"no\" frameborder=\"no\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Third Man Store","offers":[{"title":"Default Title","offer_id":42452989935774,"sku":"TMR221","price":24.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0441\/1349\/4174\/products\/tmr221_melvins_550_front.jpg?v=1608785260"},{"product_id":"tremble-under-boom-lights","title":"Tremble Under Boom Lights","description":"\u003cdiv title=\"Page 1\" class=\"page\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cp\u003e\u003cspan\u003eIn a world chock full of flame-outs, coulda-been contenders and great white hopes, the band Jonathan Fire*Eater are among the “almost-est.” Widely praised as the mid-Nineties next-big-thing, they are largely credited with being the earliest purveyors of the “New York City Rock and Roll Revival” circa 2001. Which would be great, if only the band hadn’t imploded by 1998. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe quintet employed a fresh, one-of-a-kind blend of sly rock and roll reference and reverence. Their press release at the time name-dropped all the correct and relevant influences...the Stooges, the Modern Lovers, Tom Waits, the Scientists, ? and the Mysterians, the Cramps, Nation of Ulysses, the Stones, Nick Cave and the Bad Seeds...all markers conveying the point that Fire-Eater’s dark, brooding overtones are complemented by springy Farfisa tones and impressionistic, evocative lyrics. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe band was inarguably in top form with the 1996 EP release of Tremble Under Boom Lights. Mean and lean at only five tracks, those songs click together perfectly, enough so to kick-start a major label bidding frenzy which found the band signing a lucrative, seven-figure contract. Showcasing lead singer Stewart Lupton’s redolent exercises in picturesque poetry, coupled with Matt Barrick’s inimitable percussive attack, Paul Maroon’s wide, unadorned guitar blistering throughout while Walter Martin’s choice, deliberate organ accompaniment and Tom Frank’s propulsive, bottom-heavy bass all join together for a full, beautiful, glorious masterpiece. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLead-off track “The Search For Cherry Red” would not only provide the EP with a title via its lyrics, but would also see a second life as covered by esteemed rock-and-rollers The Kills. “Give Me Daughters” is enviable for the perspective it foresees, when taking into consideration its narrator was barely 21 years old at the time. Songs flit about cockfights, open caskets, ballroom gowns, switchblades, motorcycle accidents and jewel thieves all to propel the record into a world of juvenile delinquent attitude and vivid cinematic color. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFor the Japanese release of Tremble Under Boom Lights, the five-song running order was accentuated with four bonus tracks...three songs from the band’s 1995 debut single and a spritely cover of the Lee Hazelwood gem “The City Never Sleeps.” \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eWith the 2019 reissue, Third Man Records is proud to make these seminal songs available digitally and on vinyl for the first time in over two decades. All parties involved are beyond overjoyed to augment the running order of the Japanese version of Tremble Under Boom Lights to include the bonus track “In the Head.” Touted by the band members as the last song they ever recorded, it is wincingly brilliant, the most artful, dudes-in-their-early-twenties version of a swan song that one may ever hear. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAfter the break-up, Barrick, Maroon and Martin would go on to form the backbone of the Walkmen and enjoy a solid run with their seven full-length releases. All three are still active in the music business today. Frank went on to a career in journalism, writing for Vanity Fair and acting as contributing editor for Washington Monthly. Despite struggling with addiction for years, Stewart Lupton notched solid efforts with his bands the Child Ballads and the Beatings. Lupton passed away suddenly on May 27th, 2018 at the age of 43. \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Third Man Store","offers":[{"title":"Default Title","offer_id":42452983283870,"sku":"TMR576","price":24.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0441\/1349\/4174\/products\/tmr576_jonathanfireeater_trembleunderboomlights_jacket_front.jpg?v=1608785374"},{"product_id":"ultimate-painting-live-at-third-man-records-12","title":"Ultimate Painting: Live at Third Man Records","description":"\u003cp\u003eThis LP is oozing with seriously SUPREME CUTS from both Ultimate Painting and Green Lanes (both released via Trouble in Mind). In some cases (like \"Ten Street\" and \"Ultimate Painting\") slick old favorites are stretched to their limits. It stands as a first-rate document of live rock 'n' roll that hits you like cold rain plus hot toddy. All the while taking special care not to bury lyric and beautiful harmonies under a security blanket of guitar squall and pointless effects. Straight to the point and totally balanced! That's a guarantee and a perfect prescription.\u003c\/p\u003e","brand":"Third Man Store","offers":[{"title":"Default Title","offer_id":42452983087262,"sku":"TMR340","price":24.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0441\/1349\/4174\/products\/tmr340_550_a.jpg?v=1608785381"},{"product_id":"dopesmoker","title":"Dopesmoker","description":"\u003cp\u003eRecorded in 1996 and not released (in slightly different edit\/mix) until 1999 under the title Jerusalem, the legend and lore behind Dopesmoker would overshadow an LP of any lesser significance. But the 63-minute magnum opus dedicated exclusively to the sacrament of marijuana is not just the pinnacle of the goofily named stoner metal genre…it’s inarguably one of the most important and influential albums of all time.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/p\u003e","brand":"Third Man Store","offers":[{"title":"12\" Vinyl","offer_id":42334009786526,"sku":"TMR764LP","price":30.0,"currency_code":"USD","in_stock":false},{"title":"CD","offer_id":42334009819294,"sku":"TMR764CD","price":13.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0441\/1349\/4174\/products\/Sleep_dopesmoker_cover.jpg?v=1660938988"},{"product_id":"ted-lucas","title":"Ted Lucas","description":"\u003cp dir=\"ltr\"\u003e\u003cspan\u003eTed Lucas “Ted Lucas” out February 21st, 2025 on Third Man Records, with a digital extended edition featuring unheard tracks from the OM recording period, and available on vinyl for the first time since 2018, pressed in Detroit at Third Man Pressing.\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThis self-titled album by singer-songwriter and master guitarist Ted Lucas has achieved an almost mystical reputation among aficionados and collectors. Ted Lucas is a seamless marriage of moody odes and raga style instrumentals regarded by many to be, simply put, the greatest private press folk\/psych album ever recorded. Lucas was a fixture in the Detroit rock scene of the sixties and seventies. \u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eIn 1972, the demo for Warner Brothers which would become “Ted Lucas”, released in 1975 and known informally to friends and family as The OM Album, after Lucas' own label. The album was released with artwork by the legendary Stanley Mouse originally created for Jimi Hendrix.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Third Man Records – Official Store","offers":[{"title":"Default Title","offer_id":44784636788894,"sku":"TMR997","price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0441\/1349\/4174\/files\/TedLucas_CoverFINAL.jpg?v=1736874927"}],"url":"https:\/\/thirdmanrecords.com\/collections\/selected-by-geese.oembed","provider":"Third Man Records – Official Store","version":"1.0","type":"link"}