{"title":"All Music","description":"","products":[{"product_id":"2-2-b-w-ivory-bob-seger","title":"2+2=?","description":"\u003cp\u003eThird Man Records is ecstatic to partner with Bob Seger's camp in the first vinyl reissue of Bob Seger System's \"2+2=?\" in nearly four decades. Remastered directly from the analog tapes by Robert Vosgien and cut by Ron McMaster at Capitol Mastering, this is also notable as one of the first commercial TMR releases to be manufactured at Third Man's pressing plant in Detroit.\u003c\/p\u003e\n\u003cp\u003eAs the debut release under the Bob Seger System moniker, \"2+2=?\" is a landmark moment in the evolution and career of Bob Seger. The January 1968 release of \"2+2=?\", Seger's first single on Capitol Records, is an emotional, spirited, anti-war protest delivered at the height of escalating tensions in Vietnam. Stylistically, the hypnotic, repetitive bass line is accented by a stinging fuzz guitar accompaniment, all paired with Seger's signature vocal rasp.\u003c\/p\u003e\n\u003cp\u003eBacked with the classic track \"Ivory,\" this 7-inch single will feature artwork originally used on European picture sleeves for both songs.\u003c\/p\u003e","brand":"Third Man Store","offers":[{"title":"Default Title","offer_id":42452862369950,"sku":"TMR454","price":15.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0441\/1349\/4174\/products\/tmr454_bobsegerreissue_a.jpg?v=1608784691"},{"product_id":"1981","title":"1981","description":"\u003cp\u003eThird Man Records is proud to announce the first-ever release of The Pathetx - 1981. Clocking in at 18:16 minutes, available in standard black and limited edition colored vinyl 12\" 45rpm versions.\u003c\/p\u003e\n\u003cp\u003eThe formation of the Pathetx began in 1980 with singer, Mark Leavitt, and guitarist, Greg Kutcher. They had been playing together in their basements for a while and were looking to get out on stage in the punk clubs in and around Detroit. They assembled the rest of the group, drummer Ted Meek, guitarist happy Tom McHenry and 16 year old bass player Mick Nasty, through newspaper ads, local \"punk walls\" and music stores. The Pathetx took their inspiration from the West Coast punk scene that was happening at the time, bands like The Germs, Black Flag and Dead Kennedys, as opposed to most of the other punk bands that were kicking around Detroit who were looking to The Stooges and MC5 to show them the way. Nunzio's was the band's unofficial home away from home, but they played every legendary punk club in the area: Bookies Club 870, Freezer Theater, Red Carpet, Windsor's Coronation Tavern...you name it, The Pathetx played it. They shared the stage with Detroit's first wave punk bands as well as the superstars of this new hardcore thing that was happening. They played the legendary Endless Summer Skatepark show with Necros, Negative Approach and Meatmen. Their live shows were filled with beer, blood and pogos.\u003c\/p\u003e","brand":"Third Man Store","offers":[{"title":"Default Title","offer_id":42452862927006,"sku":"TMR625","price":24.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0441\/1349\/4174\/products\/tmr625_pathetx_front_copy.jpg?v=1608784690"},{"product_id":"1968-self-titled","title":"Caetano Veloso","description":"\u003cdiv class=\"page\" title=\"Page 1\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cp\u003e\u003cspan\u003eThe Tropicália art movement of the late 1960s, with flourishes in visual art, poetry, theatre and music, is one of Brazil’s most adored cultural concoctions. It was a movement which began out of necessity, shortly after a repressive military dictatorship seized power after 20 years of peaceful democracy. The term Tropicália first came from the mind of Brazilian visual artist Hélio Oiticica, whose eponymous piece consisted of a sandy maze bordered by tropical Brazilian flora and, at the end, a television set. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThrough satirizing symbols of their homeland and rejecting a pre-established national culture, the Tropicalists constructed a new form of “aggressive nationalism” outside of an innately anti-imperialist Left and an unthinkingly patriotic Right. By refusing to accept underdevelopment as their identity and excitedly “devouring” disparate culture (low and high brow, domestic and foreign, etc.), the Tropicalists carved out a unifying creative space, a universal sound, different from the older, bourgeois bossa nova movement and the newer, undiscerning rock movement. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCaetano Veloso’s self-titled debut solo album is one of the most important and influential Brazilian (and, dare we say, South American) albums of all time. With the release of this seminal album, Veloso would become the leading voice of Tropicália. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe songs on this album immediately connected with people. Alegria, Algeria was his breakout hit that gained traction as a hymn for liberty advocates, juxtaposing images of Coca Cola, guerrilla groups, bombs and Brigitte Bardot as part of the everyday experience. The album’s first song Tropicália was an anthem for the whole movement; it’s a fragmented allegory, a structure borrowed from friends \u003c\/span\u003ein the concrete poetry scene, touching on divergent cultural symbols, events, allusions and idioms, nimbly representing and critiquing the many contradictions in the new Brazilian dictatorship.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSuperbacana (translated as “Supergroovy”) follows a hyperbolic superhero’s use of technology to fight a gang of cowboys led by the money-hungry Uncle Scrooge, serving as allusions to American imperialism and greed felt in their country, all in the rapid-fire structure of a comic book. The subtext in all these songs, which the dictatorship would not immediately catch, were that these repressed but glaring contradictions, not the bountiful sunny paradise that the military regime was pushing, were the true national identity. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eUnfortunately, these cleverly veiled jabs in Veloso and his contemporaries’ bodies of work gained greater and greater exposure as the movement became more and more popular, leading to the arrest, imprisonment and forced exile of Veloso and many of his cohort. Despite these difficulties, the Tropicalists continued creating in exile, strongly influencing artists both at home and abroad. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis is the first authorized North American vinyl issue of Caetano Veloso. Whether you’re a longtime fan or first-time listener, Third Man Records could not be more proud to spread the compelling story of this album, this artist and the Tropicália movement. \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003ciframe src=\"https:\/\/open.spotify.com\/embed\/album\/3idXLXoZDLQyxAHF97yguf\" width=\"300\" height=\"380\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Third Man Store","offers":[{"title":"Default Title","offer_id":42452861583518,"sku":"TMR548","price":28.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0441\/1349\/4174\/products\/tmr548_caetano_front_final.jpg?v=1608784691"},{"product_id":"1968","title":"1968","description":"\u003cp\u003eFrance Gall was a prolific French vocalist and performer, remembered as one of the central figures of the 1960's \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eyé-yé\u003c\/span\u003e pop movement. Aligning catchy, spirited rhythms with lighthearted lyrics and drawing from the beat music a la early Beatles and Hollies, the \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eyé-yé\u003c\/span\u003e artists promoted a sort of new freedom of expression and breaking down of social barriers in post-WWII France. Third Man Records is beyond honored to bring this music to a larger audience by issuing the first authorized North American vinyl pressings of these titles, some of the most brilliant highlights from Gall's catalog.\u003c\/p\u003e\n\u003cp\u003eWithout a doubt this is the weirdest France Gall record. 1968 dives further into the psychedelia that she was hinting at on Baby Pop. Even with addition of sitars and echoes of The Beatles, The Stones, The Kinks and Pet Sounds era Beach Boys all over this record, it is still 100% French and could only have been made by France Gall. The addition of English expat producer\/arranger, David Whitaker, brought a new and welcome airiness to the mix that was lacking on Gall's earlier recordings. The album contains 2 of Serge Gainsbourg's strangest and most out there arrangements, \"Nefertiti\" and \"Teenie Weenie Boppie\" about an LSD trip gone horribly wrong. 1968 is an absolutely essential addition to any record collection.\u003c\/p\u003e","brand":"Third Man Store","offers":[{"title":"Default Title","offer_id":42452861747358,"sku":"TMR637","price":32.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0441\/1349\/4174\/products\/tmr637_france_gall_1968_front.jpg?v=1608784690"},{"product_id":"a-lament-for-epirus","title":"A Lament for Epirus","description":"\u003cdiv class=\"page\" title=\"Page 1\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cp\u003eAlexis Zoumbas was one of the most sublime musicians to ever cast a shadow across the face of the Earth and no one has been able to translate the emotions of despair, of devastation, through an instrument as effectively as Zoumbas. Years of research and obsession have resulted in this, the first collection of recordings by the legendary and masterful Greek folk violinist Alexis Zoumbas. Very few Pre-War musicians have tapped deeper into the human soul than Zoumbas and this volume presents his most profoundly hypnotic and unearthly pieces. A deep set of notes based on Christopher King's pioneering research from 2012 is accompanied by previously-unpublished photographs as well as original artwork by R. Crumb.\u003c\/p\u003e\n\u003cp\u003eOriginally issued in 2014 for Record Store Day, the limited release of the LP immediately went out of print. Faithfully remastered from the original 78s, Christopher King's original version of the LP has been enhanced for Third Man Records by the inclusion of a 7\" EP featuring two previously unissued and unheard alternate takes of the masterpieces Epirotiko Mirologi and Doina.\u003c\/p\u003e\n\u003cp\u003eAmanda Petrusich (New Yorker, Pitchfork) says \"Alexis Zoumbas' expressions of longing are so raw and unmediated that I suspect anyone who has ever yearned for anything -- who has ever gazed dolefully out a window, or sighed audibly over a cup of whiskey, or felt subsumed by a certain kind of ache -- will feel these songs like a club to the back of the knees. They are immediate, destructive, and stunning. That Christopher King was able to collect and contain them for us is an extraordinary gift.\"\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Third Man Store","offers":[{"title":"Default Title","offer_id":42452861223070,"sku":"TMR591","price":24.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0441\/1349\/4174\/products\/tmr-591-zoumbas_a-lament-for-epirus_4000px.jpg?v=1608784693"},{"product_id":"a-letter-home-12-vinyl","title":"A Letter Home","description":"\u003cp\u003eThird Man Records unearths Neil Young’s \u003ci\u003eA Letter Home.\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e\"An unheard collection of rediscovered songs from the past recorded on ancient electro mechanical technology captures and unleashes the essence of something that could have been gone forever…\" —Homer Grosvenor\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Third Man Store","offers":[{"title":"Default Title","offer_id":42452861059230,"sku":"TMR245","price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0441\/1349\/4174\/products\/tmr245_front_2.jpg?v=1608784693"},{"product_id":"a-moms-algebra-mothers","title":"A-Moms = Algebra Mothers","description":"\u003cdiv\u003e\u003cspan\u003eThe Algebra Mothers\/A-Moms were formed by four like-minded misfits\/artists\/musicians\/\u003cwbr\u003efriends (Gerald Collins, Ralph Valdez, Diana Balton and Kirsten Rogoff) from Detroit’s Cass Tech High School. They made their professional debut in 1977 and in 1979 they released the weirdly incredible \u003ci\u003eStrawberry Cheesecake b\/w Modern Noise\u003c\/i\u003e 7” on their own Aftertaste Records (Now re-issued by TMR). They played around Detroit and the country with everyone from Destroy All Monsters and Sonic’s Rendezvous Band to \u003cb\u003ePere Ubu \u003c\/b\u003euntil 1984. \u003c\/wbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eSeveral decades later, Third Man Records contacted head Mothers Gerald Collins (Jeecy and The Jungle) and Ralph Valdez (former WDET Disc Jockey) and discovered they were sitting on at least an album’s worth of home studio demos and live recordings.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eNow we proudly present to you “A-Moms = Algebra Mothers” LP, \u003cb\u003e14 never before heard tracks\u003c\/b\u003e recorded between 1977-1984 in various home studios and clubs. It will be their first release in nearly 40 years and only their second release ever.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003ciframe src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/490192569%3Fsecret_token%3Ds-WKzoj\u0026amp;color=%231e64ad\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\" width=\"100%\" height=\"166\" frameborder=\"no\" scrolling=\"no\"\u003e\u003c\/iframe\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003ciframe src=\"https:\/\/www.youtube.com\/embed\/VuuBdCS8Los\" width=\"560\" height=\"315\" style=\"max-width: 100%;\" frameborder=\"0\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/div\u003e","brand":"Third Man Store","offers":[{"title":"Default Title","offer_id":42452860829854,"sku":"TMR533","price":24.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0441\/1349\/4174\/products\/tmr_533_a_moms_black_front_final.jpg?v=1608784699"},{"product_id":"a-piece-of-the-geto-12-limited-edition-vinyl","title":"A Piece of the Geto (MARBLED SMOKE Vinyl)","description":"\u003cp\u003eIn a city famed for its disparate and varied musical excellence, the Detroit-based alignment of feted electronic artist and producer Shigeto aka Zach Saginaw and rapidly rising Bruiser Brigade member ZelooperZ is an entirely natural thing. Introduced by mutual friends in the city, an instant bond was formed, and ZGTO was born. A Piece Of The Geto is out August 4th on Ghostly International, with a limited edition vinyl pressing by Third Man Records.\u003c\/p\u003e\n\u003cp\u003eFor Shigeto, this is the first time he’s musically stepped out of the box of a solo artist and worked with a vocalist on a project. There is a “less is more” philosophy with the production where the vocals of ZelooperZ are seamlessly interlaced into the fabric of the beats. It’s minimal in a sense, but the emotion felt through the words of ZelooperZ makes the songs as a whole intense and heavy with sentiment.\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/333765062\u0026amp;color=ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\" width=\"100%\" height=\"166\" frameborder=\"no\" scrolling=\"no\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Third Man Store","offers":[{"title":"Default Title","offer_id":42452859256990,"sku":"TMR497","price":24.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0441\/1349\/4174\/products\/img_2071_1024x1024_c150163a-f312-4d2e-b3f8-d3021ecfcce3.jpg?v=1608784692"},{"product_id":"absolutego-standard-black-vinyl","title":"Absolutego","description":"\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eFormed in 1992, Boris boldly explores their own vision of heavy music, where words like \"explosive\" and \"thunderous\" barely do justice. Using overpowering soundscapes embellished with copious amounts of lighting and billow smoke, Boris has shared with audiences across the planet an experience for all five senses in their concerts, earning legions of zealous fans along the way. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eOriginally released in 1996, Boris's 60-minute 13-second debut \"single\" \u003c\/span\u003e\u003cem\u003e\u003cspan style=\"font-weight: 400;\"\u003eAbsolutego\u003c\/span\u003e\u003c\/em\u003e\u003cspan style=\"font-weight: 400;\"\u003e saw an officially remastered reissue on November 13, 2020 from Third Man Records. This reissue will include the original album art and full \"one long song\" spread across one and a half LPs, with 1997 recording \"Dronevil 2\" filling out side D of the second LP, all fitting in a neatly packaged single-pocket LP jacket pressed at Third Man Pressing. This will also serve as \u003c\/span\u003e\u003cem\u003e\u003cspan style=\"font-weight: 400;\"\u003eAbsolutego'\u003c\/span\u003e\u003c\/em\u003e\u003cspan style=\"font-weight: 400;\"\u003es long-awaited debut across digital streaming services.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan\u003eAbsolutego\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e is a trek over a staggering mountain of sound. The tension builds with wave after wave of massive feedback, drums leading into a crushing crescendo of full-band repetition and clarity before descending deeper until finally reaching a surreal divebomb purring drone finale. This song takes notes out of the Melvins playbook and pushes the sound to its absolute logical and visceral extreme. It sets a solid foundation for why Boris is considered to be one of the most important metal bands of the 21st century.\u003c\/span\u003e \u003c\/p\u003e","brand":"Third Man Store","offers":[{"title":"Default Title","offer_id":42452859748510,"sku":"TMR686","price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0441\/1349\/4174\/products\/tmr-686_boris_absolutego_3000x_d32a23ac-a9d9-4c5c-9383-558ae6104fbb.jpg?v=1608784694"},{"product_id":"adult-live-at-third-man-records","title":"Adult. Live at Third Man Records","description":"\u003cp\u003eADULT. have been stalwarts of national independent music for over two decades, releasing their perfectionist hybrid of darkwave and synth-pop with respected labels Thrill Jockey, Kill Rock Stars, Ghostly International and, Mute, to name a few. The soundscapes this Detroit duo sculpts by synthesizer stabs and sparse drum machine rhythm are icy, dense and precise.\u003c\/p\u003e\n\u003cp\u003eThis release showcases the group in rare form, complete with the totally unexpected and kind of jarring sound of raucous audience laughter in place of typical applause as the intro as well as a light audible fuzz created by the third member of the group that night, their fog machine ;) Best of all, two of the tracks, Misshaped and Does the Body Know?, make their premiere on this release. ADULT. have outlasted any number of micro-electronic music scenes with whom they could have been grouped and, with their live show down to a science, prove that they will be worth a damn for a long time coming.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ciframe src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/350640475\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\" height=\"166\" width=\"100%\" allow=\"autoplay\" frameborder=\"no\" scrolling=\"no\"\u003e\u003c\/iframe\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"Third Man Records\" href=\"https:\/\/soundcloud.com\/thirdmanrecords\" target=\"_blank\"\u003eThird Man Records\u003c\/a\u003e · \u003ca style=\"color: #cccccc; text-decoration: none;\" title='ADULT. Live at Third Man Records — \"Misshaped\"' href=\"https:\/\/soundcloud.com\/thirdmanrecords\/adult-live-at-third-man-records-misshaped\" target=\"_blank\"\u003eADULT. Live at Third Man Records — \"Misshaped\"\u003c\/a\u003e\n\u003c\/div\u003e","brand":"Third Man Store","offers":[{"title":"Default Title","offer_id":42452858405022,"sku":"TMR486","price":24.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0441\/1349\/4174\/products\/tmr486_adultlive_a.jpg?v=1608784695"},{"product_id":"ain-t-right-girl-b-w-that-s-all-you-get","title":"Ain't Right Girl","description":"\u003cp\u003e\u003cspan\u003eRocket 455 is a Flamin’ Groovies-loving garage rock band formed in Detroit in 1992 after the breakup of local scene essentials The Nervo Beats. Although this was Rocket 455’s third single, it was the first that featured the new, longest and current line up, including founding member Marco Delicato back in the fold as well as Steve “Disco” Nawara from the Electric Six. This 7” was released on Devil’s Night in 1997 and is notable as the first record ever produced and released by Italy Records.\u003c\/span\u003e\u003c\/p\u003e","brand":"Third Man Store","offers":[{"title":"Default Title","offer_id":42452858929310,"sku":"TMR492","price":10.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0441\/1349\/4174\/products\/tmr492_album_a.jpg?v=1608784700"},{"product_id":"ajj-live-at-third-man-records","title":"AJJ: Live at Third Man Records","description":"\u003cp\u003eAJJ (fka Andrew Jackson Jihad) is one of the staple groups of American folk-punk in the 21st century. Singer\/guitarist Sean Bonnette and bassist Ben Gallaty, with a slew of other artists changing record-to-record, command a strong cult-like fandom that nearly ensure fist-clenched singalongs at every live show, and this, now their third live document of their moving and affective show, was a damn great encapsulation.\u003c\/p\u003e","brand":"Third Man Store","offers":[{"title":"Default Title","offer_id":42452858601630,"sku":"TMR535","price":24.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0441\/1349\/4174\/products\/tmr535__volumes_art_-_shared_data_tmr_working_catalog_tmr_535_ajj_-_live_at_third_man_records_12_22_artwork_digital_tmr535_ajj_livesleevefinal-01.jpgajj_livesleevefinal-01.jpg?v=1608784693"},{"product_id":"akuma-no-uta","title":"Akuma No Uta","description":"\u003cp dir=\"ltr\"\u003eFormed in 1992, Boris boldly explores their own vision of heavy music, where words like \"explosive\" and \"thunderous\" barely do justice. Using overpowering soundscapes embellished with copious amounts of lighting and billowing smoke, Boris has shared with audiences across the planet an experience for all five senses in their concerts, earning legions of zealous fans along the way.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eAkuma No Uta, released in 2003, sees a reissue on Third Man Records. \u003cem\u003eAkuma No Uta\u003c\/em\u003e has been recognized as one of the top 200 releases from the 2000s by Pitchfork and one of Boris' most commercially successful releases of their full-length discography. The reissue will feature the original US cover art, which is a triumphant tribute to Nick Drake's, Bryter Layter. Boris even pinpoints the length of \u003cem\u003eAkuma No Uta\u003c\/em\u003e to 39 minutes, the same length as Drake's classic.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eAkuma No Uta\u003cspan style=\"font-family: Arial;\" data-mce-style=\"font-family: Arial;\"\u003e is a journey through wild drop tunings and fuzz. The introduction to the album slowly builds into noise, settling like \u003c\/span\u003ethe aftermath of an\u003cspan style=\"font-family: Arial;\" data-mce-style=\"font-family: Arial;\"\u003e avalanche as it comes to a close. \u003c\/span\u003eAlthough\u003cspan style=\"font-family: Arial;\" data-mce-style=\"font-family: Arial;\"\u003e mixing many different genres, from drone metal to shoegaze to punk, \u003cem\u003eAkuma No Uta\u003c\/em\u003e\u003c\/span\u003e\u003cspan style=\"font-family: Arial;\" data-mce-style=\"font-family: Arial;\"\u003e maintains a strong cohesive experiential undercurrent\u003c\/span\u003e\u003cspan style=\"font-family: Arial;\" data-mce-style=\"font-family: Arial;\"\u003e. \"Naki Kyoku\" begins with sentimental shoegaze riffage, leading into a whirlwind of drones and fuzz, heavy enough to tear a whole in space. \"Ibitsu\" is a thrash punk track at its core, speeding through powerful punchy vocals and layer-upon-layer of screaming guitar. 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His moving renditions of \"Frankie\" and \"Spike Driver Blues\" were included in Harry Smith's American Anthology of Folk Music in 1952 and were vitally influential on the Greenwich Village folk music revival of the 1960s, as well as John Fahey's development of the American Primitive Guitar genre.\u003c\/p\u003e\n\u003cp\u003eSingle LP with single pocket tip-on jacket with soft touch finish.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Third Man Store","offers":[{"title":"Default Title","offer_id":42452856078494,"sku":"TMR459","price":33.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0441\/1349\/4174\/products\/tmr459_ae_bo_msjohnhurt_frontcover_web.jpg?v=1608784702"},{"product_id":"american-epic-the-best-of-the-carter-family","title":"American Epic: The Best of The Carter Family","description":"\u003cp\u003eThe Carter Family, a family vocal group from Appalachian Virginia, were the most impactful discovery of talent scout Ralph Peer and the first vocal group to become country music stars. Apart from the beautiful harmonies that can only come from kin, Mother Maybelle Carter pioneered \"scratch\" style guitar picking, a clever synthesis of autoharp, banjo, and guitar picking, and for years served as a matriarchal figure in the Grand Ole Opry.\u003c\/p\u003e\n\u003cp\u003eSingle LP with single pocket tip-on jacket with soft touch finish.\u003c\/p\u003e","brand":"Third Man Store","offers":[{"title":"Default Title","offer_id":42452855947422,"sku":"TMR460","price":33.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0441\/1349\/4174\/products\/tmr460_ae_bo_carterfamily_frontcover_web.jpg?v=1608784703"},{"product_id":"amplifier-worship-standard-black-vinyl","title":"Amplifier Worship","description":"\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eFormed in 1992, Boris boldly explores their own vision of heavy music, where words like \"explosive\" and \"thunderous\" barely do justice. Using overpowering soundscapes embellished with copious amounts of lighting and billow smoke, Boris has shared with audiences across the planet an experience for all five senses in their concerts, earning legions of zealous fans along the way. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eFirst released in 1998, catalog staple \u003c\/span\u003e\u003cem\u003e\u003cspan style=\"font-weight: 400;\"\u003eAmplifier Worship\u003c\/span\u003e\u003c\/em\u003e\u003cspan style=\"font-weight: 400;\"\u003e saw its first-ever reissue with minimalistic album art from the first-press Japanese CD on November 13, 2020 via Third Man Records. The Stoughton gatefold jacket will house both officially remastered LPs, pressed at Third Man Pressing. This will also serve as \u003c\/span\u003e\u003cem\u003e\u003cspan style=\"font-weight: 400;\"\u003eAmplifier Worship'\u003c\/span\u003e\u003c\/em\u003e\u003cspan style=\"font-weight: 400;\"\u003es long-awaited debut across digital streaming services.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan style=\"font-weight: 400;\"\u003eAmplifier Worship\u003c\/span\u003e\u003c\/em\u003e\u003cspan style=\"font-weight: 400;\"\u003e is Boris's most intense and unrelenting album to date. Not for the faint of heart, the group incorporates mythic doom-drones, up-tempo psych-sludge and even a refreshing ribbit into their signature concoction of celestial and heavy music. \u003c\/span\u003e\u003cem\u003e\u003cspan style=\"font-weight: 400;\"\u003eAmplifier\u003c\/span\u003e\u003c\/em\u003e \u003cem\u003e\u003cspan style=\"font-weight: 400;\"\u003eWorship\u003c\/span\u003e\u003c\/em\u003e\u003cspan style=\"font-weight: 400;\"\u003e is a critical chapter in the Boris canon. The album is a testament to the group's bullishness in pushing metal to it's uncomfortable and unfamiliar edges. And it is also undoubtedly one of their best.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Third Man Store","offers":[{"title":"Default Title","offer_id":42452855455902,"sku":"TMR687","price":28.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0441\/1349\/4174\/products\/tmr-687_boris_amplifierworship_3000x_31efe05f-1b35-49c3-98fb-3bbd143b0fe6.jpg?v=1608784710"},{"product_id":"amy-walker-discourse-on-accents","title":"Discourse on Accents","description":"\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/niyiosp3fe0\" style=\"max-width: 100%;\" frameborder=\"0\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eAmy is an actress who has made quite a name for herself as an expert in the field of replicating accents from all over the globe, as evidenced by the over 11 million views of her \"21 Accents\" video on YouTube, not to mention appearances on the Today Show and Inside Edition.\u003c\/p\u003e","brand":"Third Man Store","offers":[{"title":"Default Title","offer_id":42452854702238,"sku":"TMR064","price":10.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0441\/1349\/4174\/products\/tmr064_amywalker_discourseonaccents_a.jpg?v=1608784712"},{"product_id":"ann-arbor-blues-festival-1969-double-cd","title":"Ann Arbor Blues Festival 1969 - Double CD","description":"\u003cp\u003eThird Man Records is excited to announce the release of ANN ARBOR BLUES FESTIVAL 1969, a 50th anniversary celebration collecting 24 previously unheard songs by such blues legends as Howlin' Wolf, Muddy Waters, B.B. King, James Cotton, Son House, Magic Sam, T-Bone Walker, Junior Wells, Big Mama Thornton, Clifton Chenier, Son House, Mississippi Fred McDowell, Lightnin' Hopkins, J. B. Hutto \u0026amp; His Hawks, Roosevelt Sykes, Luther Allison, Otis Rush, Big Joe Williams, Charlie Musselwhite and more. The first ever release of music recorded live at the landmark event, ANN ARBOR BLUES FESTIVAL 1969 will be available in two individual 2x LP volumes, exclusively on 180 gram vinyl and on CD.\u003c\/p\u003e\n\u003cp\u003eThe historic gathering was presented by a small group of blues-obsessed University of Michigan students determined to give their blues heroes a public spotlight where they might shine before it was too late. Among those enterprising student-promoters was John Fishel, whose teenage brother Jim Fishel, gathered some friends to help record the festival as a personal memento. Taking advantage of their all-access pass and juggling a small Norelco tape recorder from set to set, the friends let the 1\/4\" tape roll. Though field recordings in the literal sense of the term, they capture the brilliance of the musicians, the excitement of the crowd and the loose, convivial nature of the entire festival. Those tapes, long thought to be lost, have now been lovingly restored to capture the electric energy of the landmark concert. Both volumes include never-before-seen photographs, an exclusive reminiscence from Jim Fishel, and extensive liner notes by Parker Fishel, Sophie Abramowitz and David Beal. \u003c\/p\u003e","brand":"Third Man Store","offers":[{"title":"Default Title","offer_id":37249865580702,"sku":"TMR239CD","price":23.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0441\/1349\/4174\/products\/tmr239_vol1_cover_comp_1.jpg?v=1608784704"},{"product_id":"ann-arbor-blues-festival-1969-volume-2","title":"Ann Arbor Blues Festival 1969 - Volume 2","description":"\u003cp\u003eThird Man Records is excited to announce the release of ANN ARBOR BLUES FESTIVAL 1969, a 50th anniversary celebration collecting 24 previously unheard songs by such blues legends as Howlin’ Wolf, Muddy Waters, B.B. King, James Cotton, Son House, Magic Sam, T-Bone Walker, Junior Wells, Big Mama Thornton, Clifton Chenier, Son House, Mississippi Fred McDowell, Lightnin’ Hopkins, Pinetop Perkins, J. B. Hutto \u0026amp; His Hawks, Roosevelt Sykes, Luther Allison, Otis Rush, Big Joe Williams, Charlie Musselwhite and more. The first ever release of music recorded live at the landmark event, ANN ARBOR BLUES FESTIVAL 1969 will be available in two individual 2x LP volumes, exclusively on 130 gram vinyl.\u003c\/p\u003e\n\u003cp\u003eThe historic gathering was presented by a small group of blues-obsessed University of Michigan students determined to give their blues heroes a public spotlight where they might shine before it was too late. Among those enterprising student-promoters was John Fishel, whose teenage brother Jim Fishel, gathered some friends to help record the festival as a personal memento. Taking advantage of their all-access pass and juggling a small Norelco tape recorder from set to set, the friends let the 1⁄4” tape roll. Though field recordings in the literal sense of the term, they capture the brilliance of the musicians, the excitement of the crowd and the loose, convivial nature of the entire festival. Those tapes, long thought to be lost, have now been lovingly restored to capture the electric energy of the landmark concert. Both volumes include never-before-seen photographs, artist biographies, an exclusive reminiscence from Jim Fishel, and extensive liner notes by Parker Fishel, Sophie Abramowitz and David Beal.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Third Man Store","offers":[{"title":"Default Title","offer_id":42452851720350,"sku":"TMR240LP","price":35.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0441\/1349\/4174\/products\/tmr240_vol2_cover_comp.jpg?v=1608784705"},{"product_id":"ashley-monroe-live-at-third-man-records-12-lp","title":"Ashley Monroe: Live at Third Man Records","description":"\u003cp\u003eShe's at her best when she not only has a guitar in her hands, but a pencil too. She's 1\/3 of Pistol Annies, 1\/2 of the Cherry Sisters, 2 parts sugar, 1 part spice. She's a storyteller \/ truth seller \/ good speller. Hers is a regular name to see on the liner notes of the records you love, and it wouldn't surprise us one bit if you love the records you love because her name is on the liner notes. Ashley Monroe is the name, and she's no stranger to the stage of our Blue room. The first time Ashley Monroe sang at Third Man Records, it was with Wanda Jackson for her \"Live at Third Man Records,\" LP released as part of Vault Package #9. (One of our favorites.) The next time Ashley Monroe sang at Third Man Records, it was with Willie Nelson for his special 80th Birthday CMT Crossroads Live at Third Man Records performance, released as Vault Package #17. 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Aligning catchy, spirited rhythms with lighthearted lyrics and drawing from the beat music a la early Beatles and Hollies, the \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eyé-yé\u003c\/span\u003e artists promoted a sort of new freedom of expression and breaking down of social barriers in post-WWII France. Third Man Records is beyond honored to bring this music to a larger audience by issuing the first authorized North American vinyl pressings of these titles, some of the most brilliant highlights from Gall's catalog.\u003c\/p\u003e\n\u003cp\u003eBaby Pop is not only an important album for France herself, it is also a hugely important record for the entire \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eyé-yé\u003c\/span\u003e scene. Baby Pop hinted at the musical direction that \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eyé-yé\u003c\/span\u003e was headed, much in the same way Revolver and Pet Sounds did in the UK and USA. Baby Pop is more mature and varied than her earlier more bubblegum releases. You will still find a wonderfully cheesy tracks like \"L'Amerique\" here and there, but with the impossibly infectious title track and songs like the Gainsbourg penned \"Nous Ne Sommes Va-T'en\" and the groovy Farfissa driven \"Faut-Il que Je T'Aime,\" we welcome a new France Gall and say hello to some of the finest pop music ever released in French or any language. \u003c\/p\u003e","brand":"Third Man Store","offers":[{"title":"Default Title","offer_id":42452848640158,"sku":"TMR636","price":32.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0441\/1349\/4174\/products\/tmr_636_france-gall_baby-pop.jpg?v=1608784718"},{"product_id":"autolux-live-at-third-man-records-12-vinyl","title":"Autolux: Live at Third Man Records","description":"\u003cp\u003eThird Man Records has a theory: It's impossible not to like Autolux. Because Carla Azar. Because of the soundtrack-of-the-otts symphony of their first two records. Because of their release PUSSY'S DEAD, which sounds more like the future than the score to TRON. Because two of the band's members met while composing the music for a Nobel-prize winner's play. Because Danger Mouse's 30th Century Records is their new label home (and we love us some Danger Mouse.) Because \u003ca href=\"https:\/\/www.youtube.com\/watch?v=DQZSPA6fMRM\"\u003ethis\u003c\/a\u003e. And \u003ca href=\"https:\/\/www.youtube.com\/watch?v=VK0Fpw1GY0E\"\u003ethis\u003c\/a\u003e. Following that logic, it’s impossible not to also like Autolux’s first live record, captured direct-to-acetate on Third Man Records’ 1955 Scully lathe on March 26th, 2016.\u003c\/p\u003e\n\u003cp\u003eEugene Goreshter, Greg Edwards, and Carla Azar made the Blue Room stage feel small that evening, Azar standing atop her drum throne, projections kaleidoscoping on the acoustic tiling behind them. It was one of their first live shows together in the years since their record, Transit Transit, was released (in 2010), the in between of which saw each band member pursuing other worthy projects. No time to lose, the band’s cohesion was immediate, their sense-of-self solid, and their energy infectious.\u003c\/p\u003e\n\u003cp\u003eSome of the best tracks of PUSSY’S DEAD made it into this live set, to the delight of the ecstatic Nashville audience that Saturday night: “Soft Scene,” “Anonymous,” “Brainwasher,” to name a few. 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And now, this new single will be accompanying Craig and the band on their first trip overseas to Europe, featuring new bassist and longtime Liquor Store co-conspirator Derek “Block” Warren. \u003c\/span\u003e\u003c\/p\u003e\n \u003cp\u003e\u003cspan\u003e“Big City Small Town” is a little country rock groover that depicts a very familiar scene for anyone who’s lived in a midsize city; word travels quickly, so own who you are and what you do 100%. “Tell Me” is a charmingly concise and heartfelt appeal for a little fulfillment, from answering life’s big questions to enjoying a good song with someone who cares. \u003c\/span\u003e\u003c\/p\u003e\n \u003c\/div\u003e\n \u003ciframe src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/525336435%3Fsecret_token%3Ds-NyDcy\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\" width=\"100%\" height=\"166\" frameborder=\"no\" scrolling=\"no\"\u003e\u003c\/iframe\u003e\n\u003c\/div\u003e\n \u003c\/div\u003e\n \u003c\/div\u003e","brand":"Third Man Store","offers":[{"title":"Default Title","offer_id":42452843692190,"sku":"TMR577","price":10.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0441\/1349\/4174\/products\/tmr_577_cbb_bigcity_single_final_print-2000x2000.jpg?v=1608784730"},{"product_id":"bill-burr-live-at-andrew-s-house","title":"Live at Andrew's House","description":"\u003cp\u003e\u003ci\u003eLive At Andrew's House\u003c\/i\u003e was recorded at Carnegie Hall on November 11, 2011, four months before Burr taped his third hour-long special, \u003ci\u003eYou People Are All The Same\u003c\/i\u003e, on March 3, 2012. 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It walks down the road forged by Sister Rosetta Tharpe, Ike Turner, Bill Haley, Little Richard, Chuck Berry, and Elvis Presley to fuse elements of blues, country, pop and gospel in a completely new direction. \u003cbr\u003e \u003cbr\u003e Though Elvis Presley's cover would cement the song's status as a standard, Carl Perkins owes a good deal to Elvis for his name recognition and success as an artist. With Elvis's cover of \"Blue Suede Shoes\" recorded and ready to release at the same time as Perkins' original version, Presley requested that his major label distribution hold back his cover single until the original single sold one million copies, purely out of loyalty and consideration for his friend Perkins.\u003c\/p\u003e","brand":"Third Man Store","offers":[{"title":"Default Title","offer_id":42452829569182,"sku":"TMR361","price":15.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0441\/1349\/4174\/products\/tmr361_sun234_albuma.jpg?v=1608784748"},{"product_id":"blunderbuss","title":"Blunderbuss","description":"\u003cp\u003eThe debut solo release from Jack White, this album is as strong an artistic statement he has ever made. Released in April 2012, \"Blunderbuss\" was Jack White's first-ever #1 charting Billboard album. The LP would sell 33,000 copies in the US that year, making it the top-selling piece of vinyl for the year. The album was certified gold in the US, Australia and the UK, and certified platinum in Canada.\u003cbr\u003e\u003c\/p\u003e\n\u003col\u003e\u003c\/ol\u003e","brand":"Third Man Store","offers":[{"title":"12\" Vinyl","offer_id":37249873313950,"sku":"TMR139","price":26.0,"currency_code":"USD","in_stock":true},{"title":"CD","offer_id":37249873346718,"sku":"JW011","price":15.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0441\/1349\/4174\/products\/tmr139_550f_2_3.jpg?v=1738594220"},{"product_id":"boarding-house-reach","title":"Boarding House Reach","description":"\u003cp\u003eThis album sees Jack White expanding his musical palate with perhaps his most ambitious work thus far, a collection of songs that are simultaneously timeless and modern. Written and conceived while holed up in a spartan apartment with no outside distractions, Jack replicated the identical environment and used the same gear as when he was a 15 year old (a quarter-inch four-track tape recorder, a simple mixer, and the most basic of instrumentation) to pen sketches of the album’s songs.  The album explores a remarkable range of sonic terrain -- crunching rock 'n' roll, electro and hard funk, proto punk, hip hop, gospel blues, and even country -- all remapped and born anew to fit White's matchless vision and sense of restless experimentation. BOARDING HOUSE REACH is a testament to the breadth of Jack White's creative power and his bold artistic ambition. \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eBOARDING HOUSE REACH features White on vocals, acoustic and electric guitars and drums, organ, and synthesizers. He's backed by a remarkable new lineup of musicians that includes: drummer Louis Cato (Beyoncé, Q-Tip, John Legend, Mariah Carey), bassists Charlotte Kemp Muhl (The Ghost of a Saber Tooth Tiger) and NeonPhoenix (Kanye West, Lil Wayne, Jay-Z), synthesizer players DJ Harrison and Anthony \"Brew\" Brewster(Fishbone, The Untouchables), keyboardists Neal Evans (Soulive, Talib Kweli, John Scofield) and Quincy McCrary (Unknown Mortal Orchestra, Pitbull), percussionists Bobby Allende (David Byrne, Marc Anthony) and Justin Porée (Ozomatli), and backing vocalists Esther Rose and Ann \u0026amp; Regina McCrary of Nashville's beloved gospel trio, The McCrary Sisters, as well as longtime collaborators like drummers Daru Jones (Nas, Talib Kweli) and Carla Azar (Autolux, Depeche Mode, Doyle Bramhall II). Singer-songwriter C.W. Stoneking also appears, contributing a stirring spoken word performance to the album's \"Abulia and Akrasia.\" \u003c\/p\u003e\n\u003cp\u003eBOARDING HOUSE REACH was produced by Jack White III and recorded at Third Man Studio in Nashville, TN, Sear Sound in New York, NY, and Capitol Studios in Los Angeles, CA; the album was mixed by Bill Skibbe, Joshua V. Smith, and White at Third Man Studio in Nashville, TN. \u003c\/p\u003e\n\u003cp\u003eBOARDING HOUSE REACH is heralded by the rapidly acclaimed single, \u003ca href=\"http:\/\/smarturl.it\/ConnectedByLove\/thirdman\" target=\"_blank\"\u003e\"Connected By Love,\" b\/w \"Respect Commander,\"\u003c\/a\u003e which is available now digitally worldwide and as a physical 7-inch vinyl single pressed at Third Man Pressing in Detroit, MI. Watch the video, directed by Pasqual Gutierrez \u003ca href=\"http:\/\/smarturl.it\/ConnectedByLoveV\" target=\"_blank\"\u003ehere\u003c\/a\u003e. \u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"max-width: 100%;\" src=\"https:\/\/www.youtube.com\/embed\/WyWqEFeKX2E\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"max-width: 100%;\" src=\"https:\/\/www.youtube.com\/embed\/8n0PUXewaC0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Third Man Store","offers":[{"title":"12\" Vinyl","offer_id":37249873477790,"sku":"TMR540LP","price":26.0,"currency_code":"USD","in_stock":true},{"title":"CD","offer_id":37249873445022,"sku":"TMR540CD","price":15.0,"currency_code":"USD","in_stock":true},{"title":"Cassette","offer_id":37249873412254,"sku":"TMR540C","price":10.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0441\/1349\/4174\/products\/1-tmr540-albuma.jpg?v=1620236588"},{"product_id":"bp-fallon-fame-9-7-vinyl","title":"Fame #9","description":"\u003cp\u003eObservant Third Man fans may remember BP Fallon from his cameo in The Dead Weather's \"I Cut Like A Buffalo\" video. BP has long been a legendary figure in rock and roll and has put his unique stamp on the history of popular music from his work as publicist and media guru, to Led Zeppelin and T. Rex, working for the Beatles at Apple Records, managing Johnny Thunders as well as so much more.\u003c\/p\u003e\n\u003cp\u003eThird Man Records is proud to announce the first in our new Spoken Word\/Instructional Record series featuring the one and only BP Fallon. This release is Third Man's first \"three-sided\" 45 record\" presented in our patented and exclusive \"Single Signal\" sound design.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Third Man Store","offers":[{"title":"Default Title","offer_id":42452824064158,"sku":"TMR022","price":10.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0441\/1349\/4174\/products\/tmr022_550f_1.jpg?v=1608784755"}],"url":"https:\/\/thirdmanrecords.com\/collections\/all-music.oembed?page=25","provider":"Third Man Records – Official Store","version":"1.0","type":"link"}