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Third Man Records is excited to announce the March 3rd release of Parquet Courts: Live At Third Man Records--the latest addition to the Live At Third Man series.
Parquet Courts brought a sweltering performance to the hallowed grounds of Third Man’s Blue Room on June 5th of last year--and very fortunately, TMR was able to lovingly capture it with their one-of-a-kind, direct-to-acetate recording process. The set included a dynamic selection of songs from last year’s critically acclaimed album Sunbathing Animal, as well as the 2013 EP, Tally All The Things That You Broke. The end result? A record that will have your feet stompin’ and body rockin’ as soon as the needle hits. Track listing included below for your perusal.
1. Duckin & Dodgin
3. Black & White
4. Vienna II
5. Always Back In Town
6. Dear Ramona
8. Instant Disassembly
9. Raw Milk
10. Into the Garden
11. Sunbathing Animal
For a tasty sample, check out clips of “Sunbathing Animal” and “Vienna II”below:
This past Saturday Shabazz Palaces performed to a sold out crowd at Third Man and committed to acetate what might be one of the best shows our Blue Room has seen to date. Coupler opened with their "deliberately ambient" magic, working the audience into the perfect trance for Ishmael Butler and Tendai Maraire to bust wide open with their introductory number "Cake." Check out the Spin's recap here, and view our full photo set on our Past Events page. We can't WAIT to get this record in your hands and on your turntables.
Very few records from last year got us as excited about the current state and hopeful for the future state of music as Shabazz Palaces’ Lese Majesty. Easily the most oft-spun record on the Third Man office turntable in the second half of 2014, it was imperative that we bless the beginning of 2015 with a live direct-to-acetate recording from these psychedelic warriors from the Pacific Northwest. Shabazz Palaces' obstinately original oeuvre emanates from a fully formed higher conscious, they plant their flag in the outermost realms of the hip hop global soundscape where vibrations throb into beat-heavy explorations, chrome covered constellations of higher reveries each offering it’s own sonic boom. We couldn’t be more excited to host Shabazz Palaces in our Blue Room transcribing their astral suites direct-to-acetate for a live audience, on Saturday January 17th we all blast off together.
Getting us all in the mood on opening slot duties will be Nashville’s own veterans of the heavy heavy super Kosmische techno-groove, Coupler. And no party in the blue room would be complete without Noah from The Rap Castle on the decks.
Per usual for Blue Room recordings, there will pre-sales for the limited edition Black and Blue split color vinyl available after the show in the Third Man Record Shop for ticket holders.
As 2015 marks ten years since the release of the White Stripes’ Get Behind Me Satan album and tour, Third Man Records is proud to use that as the focus of its 23rd Vault package. Completely dedicated to the White Stripes and highlighting their time in South America in 2005, this release should leave fans beyond satisfied.
Anchoring the box is the double LP Under Amazonian Lights recorded live in Manaus, Brazil on June 1st, 2005. Described by the local press as “deliciously irresponsible” and the first rock concert ever at the grand Teatro Amazonas Opera House, the performance that night was nothing short of amazing. Featuring a sublime cover of Bob Dylan’s “Lovesick Blues”, two versions (one electric, one acoustic) of “The Same Boy You’ve Always Known,” two versions of “Passive Manipulation” (both sublime), a snippet of Howlin Wolf’s “I Asked For Water,” and ample marimba on “The Nurse,” and what you have is one of the most iconic and memorable shows the White Stripes ever played. Both LPs will be pressed on blood red vinyl with stark black wisps.
So it should come as no surprise that we’d pair this LP with DVD footage from that performance. Words do not ably describe the beauty of the Teatro Amazonas nor the furor riled up by the White Stripes appearance. Not only was there fear that the amplification of the band would cause the plaster in the building to crack and possible fall and injure attendees, but out of custom/fear/lord-knows-what the crowd remained seated until being explicitly asked to stand from the stage by Jack White himself. If that wasn’t enough, during the show Jack and Meg ventured outside the venue to play an entirely unamplified version of “We Are Going to Be Friends” for the assembled multitude of fans unable to purchase tickets and watching the performance via closed-circuit feed. The resultant melee was arguably a riot and was lovingly captured by the film crew documenting that evening’s importance. All together what it makes is one of the best true rock and roll moments of the past decade. Heck, Jack White even got married that day.
The accompanying 7” single is a perfect example of the material the Vault was explicitly created to release. “Let You Down” is a solo recording done by Jack White roundabout the year 2000. Featuring both electric guitar and electric bass, the true meat here is the multi-tracked four-part harmony voiced by White throughout the song. The entirety of lyrics here “No I’m never, no I’m never, no I’m never gonna let you down now” would be repurposed into the White Stripes 2005 recording “The Nurse” and the overall germination illustrated here is devilishly insightful. The b-side “Ain’t No Sweeter Than Rita Blues” is a quintessential White Stripes guitar/drums outtake instrumental that was recorded during the tracking of Get Behind Me Satan and subsequently unused and forgotten for the past ten years. Dare we say it’s everything you hope it would be, pressed on wonderful white vinyl and ready for your love.
If that was not enough (and really, it should be) Third Man has decided to throw caution to the wind and absolutely overload this package with more extras than any sane record label would ever consider. We’ve poked the Grammy Award-winning designer Rob Jones to put together a collection of newly designed postcards celebrating the White Stripes performances in Brazil in 2005. In one word…stunning. Rob was gracious enough to throw in a badass death head monkey design that was so tasty we had to turn it into substantive enamel pin. A silk-screened White Stripes poster with some super-secret hidden glow in the dark graphics was a no-brainer. If you’re wondering where you’ll keep this vast assortment of sundries, worry you no longer…a soft touch, telescoping box with the same devilish death head monkey graphic on the cover will become a new member in Vault households worldwide. Join the family now.
Dead Leaves and the Dirty Ground
Love Sick (Bob Dylan)
The Same Boy You’ve Always Known (electric)
The Same Boy You’ve Always Known (acoustic)
When I Hear My Name
I Asked For Water (Howlin Wolf)
Fell in Love With a Girl
Death Letter (Son House)
St. James Infirmary (traditional)
Passive Manipulation (reprise)
I Just Don’t Know What to Do With Myself
(I’ll Be With You) In Apple Blossom Time (Albert Von Tilzer/Neville Fleeson)
I Just Don’t Know What to Do With Myself (continued)
Seven Nation Army
If you're not currently a member, sign up for Vault Package #23 HERE. The sign-up deadline is January 31st... less than one month away!
Below is the first installment of Scion x Olivia Jean Driven introduces you to Olivia Jean as she and her band drive Scions around the country as they promote her new album Bathtub Love Killings, out now on Third Man Records. The starting point is Shake it Records in Cincinnati, where Jean performs “The Merry Widow” to a devoted crowd. Watch below, and read more about the Scion collaboration here.
January's Light + Sound Machine Screening is DOUBLE PLAY: JAMES BENNING AND RICHARD LINKLATER. The screening will take place on Thursday, January 15th at 8pm (Doors at 7pm) in the Blue Room. Tickets are available NOW.
Dir. Gabe Klinger, USA, 2014, 71 min., NR, HD
A documentary portrait of the friendship between the renowned filmmakers James Benning and Richard Linklater that combines filmed conversations and extensive archival material to explore connections and divergences in their respective approaches to life and cinema.
In 1985, filmmaker Richard Linklater began a film screening society in Austin, Texas, that aimed to show classic art-house and experimental films to a budding community of cinephiles and filmmakers. The Austin Film Society raised enough money to fly in their first out-of-town invitee, visionary experimental filmmaker James Benning. Accepting the invitation, Benning met Linklater and immediately the two began to develop a personal and intellectual bond, which has lasted through the present. After the cult success of "Slacker" (1991), Linklater has gone on to make award-winning big budget narrative films including "School of Rock" (2003), "Before Midnight" (2013) and "Boyhood" (2014). Benning, meanwhile, has stayed close to his modest roots and is mainly an unknown figure in mainstream film culture. Combining filmed conversations and archival material, "Double Play" explores the connections between the work and lives of these two American visionaries.
Purchase tickets here.