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For the next month, Third Man Records will be throwing a Holiday Help-a-Thon, and there are all sorts of ways to get involved and end 2014 feeling good about your contribution to society.
The Nashville Rescue Mission is dedicated to helping the hungry, homeless and hurting, and we are so honored to have such great neighbors. In 2013, they served over 669k meals to those in need, offered close to 35k hours of free education, and provided almost 278k nights of safe shelter to those who would otherwise spend the night on the street. Last holiday season, we did a Turkey drive in November, and this season we'd like to solidify the tradition of giving back with your help. This year, the Mission has expressed a special need for toys and clothes for children as well as food items for their Christmas dinner.
Bring us 3 of any of the following donation items (today through December 19th during normal business hours) and be entered to win the ultimate prize of 2014: a copy of EACH EXCLUSIVE RECORD we released in 2014. EVERY. SINGLE. ONE. (Excludes Vault packages, of course.) —PLUS— receive 30% off your purchase (certain items excluded*) —OR— a free recording in our Record Booth at our Nashville storefront (a great gift for Mom!). If this doesn't get you in the giving spirit, we don't know what will. Here's what we need:
The month of being good people, the whole lot of us, will end with another opportunity to give blood to the American Red Cross on December 19th. With the generosity of Third Man fans, we helped up to 96 people live to spend another holiday season with their loved ones, and we are thrilled to have the chance to double that number this month.
Like our previous blood drive, space is limited, and we won't let you leave a pound lighter with nothing to show for it. Donors will be granted one gift from beneath the Third Man Family Christmas tree, and trust us, there are no ugly sweaters, socks, or vacuum cleaners in there... every wrapped mystery gift will delight and excite! If you are eligible and would like to donate blood in our drive, please e-mail firstname.lastname@example.org with your full name, address, phone number and age. Appointments will be filled on a first-come-first-served basis, and we cannot accommodate any walk-ins.
We THANK YOU in advance for helping us help others. We have it so good having you all around.
NOTE: For those of you who would like to contribute but are out of town, feel free to donate directly to the Mission or the Red Cross, OR send us your donations in a package to the following address. Include your NAME, E-MAIL ADDRESS, and PHONE NUMBER in the package.
THIRD MAN RECORDS
attn: Holiday Help-a-thon Donation
621 7th Avenue S.
Nashville, TN 37203
*Excludes Paramount Box Sets, Bumblebuzz Guitar Pedal, Pro-Ject Turntable and gift cards.
This past weekend, Olivia Jean's pop-up shop had its grand opening at Scion AV's installation space in Los Angeles, and it was a smash success. Read Scion AV's recap below:
"Olivia Jean unveiled “Bathtub Love Killings,” this weekend at Scion AV Installation in Los Angeles. Attendees not only were able to buy a selection of hard-to-find records and merchandise from the already legendaryThird Man Records, they got to see Jean, one of the label’s newest artists, put on a great show.
The opening night party was packed, with true fans waiting in line for over an hour and half before the doors opened. Eventually the line snaked down Melrose Ave. and around the corner.
Once inside the Scion AV Installation space, many in the crowd picked up the special Olivia Jean Plum Series of Third Man Records releases, which includes works from Jack White, Wanda Jackson, Black Belles, Karen Elson and the Secret Sisters."
Check out a few photos from the event below, and see the full gallery here. If you're in LA, the installation is open through December 6th, so stop in when you have a moment!
We are inching ever closer to the official release date for our Rise & Fall of Paramount Volume 2, and already much has been made of the beautiful design elements of the package in far ranging brilliant and respected publications such as Wired and The Atlantic. Yes the delights contained within this machine-age inspired aluminum wonder box are sumptuous and many, though we most certainly should point out that the original manufacturers of these now historical recordings were far more cavalier (dare we say careless) with the production process of their wares. Paramount records were notoriously comprised of the cheapest materials available, right down to dredging materials from the Milwaukee river. And while in retrospect it’s a lovely and romantic notion that this music that has come to very much represent our very fabric of American life and folk tradition was LITERALLY manufactured from dredged mud and American soil, it certainly didn’t make for the most perishably resistant form of musical entertainment. But alas, this all may speak to what is so endearing about this ghostly music that calls to us down distant hallways of history. It will always be unknowable to some degree, it will never exist in perfect fidelity… it really never did. But I digress…
ON that note… Hey! Here’s a beautiful paper stop-motion animated film by Kelli Anderson imagining what happened the day the grand daddy of all American Blues ghosts Charley Patton walked into the studio and set to recording “High Water Everywhere, Part 1”.
If you enjoyed that film nearly as much as we do, you’ll want to know a little more about how it was made. Well you’re in luck, here’s a wonderful post about it over on the animators own site giving lots of insight into the process and philosophy behind the animation. Enjoy!
Another feature of Rise & Fall that is getting some love in the press are the “Defender Ad” reproductions that are featured in the hardbound book and flash drive contained in the set. Get a primer on this distinct piece of advertisements-as-high art from the Dangerous Minds blog and then pick one up for yourself… We’ll be selling two of these screen prints (which were printed in very limited quantities) to Vault members only in the Vault Store. The other 3 beautiful reproductions are available to everyone in our online store. All were screened at Kangaroo press here in Nashville.
Wednesday, Nov 19 * Innisfree Bookstore * 1203 13th St, Boulder, CO 80302 * FREE
Innisfree Poetry Bookstore, Third Man Books, and Third Man Records are pleased to present a live event featuring six poets from Language Lessons: Volume 1, the first literary publication from Third Man Books.
“Language Lessons succeeds in presenting a variety of work that generates sparks as the poetry, prose, art, and music rub against each other in one package.”
“A mighty object to behold...enchanting...a complicated, intriguing development in the power struggle between the analog and the digital.”
—Los Angeles Review of Books
Brian Barker earned a BA from Virginia Commonwealth University, an MFA from George Mason University, and a PhD from the University of Houston. He is the author of two collections of poetry, and has been published in journals such as Poetry, Indiana Review, Sou'wester,Pleiades, and River Styx. Barker’s first collection, The Animal Gospels (2006), won the Tupelo Press Editor’s Prize. The Black Ocean (2011), his second collection,won the Crab Orchard Open Competition in 2011. Barker is the recipient of various awards and honors, including two Pushcart nominations, an Academy of American Poets prize, and the 2009 Campbell Corner Poetry Prize. Barker teaches at the University of Colorado, Denver, where he co-edits Copper Nickel, a journal of art and literature. He is married to poet Nicky Beer. http://www.brianbarker.net/
Nicky Beer is the author of The Diminishing House, winner of the 2011 Colorado Book Award for Poetry, and The Octopus Game (forthcoming 2015). She has received awards and fellowships from the National Endowment for the Arts, the Poetry Foundation, and the Bread Loaf Writers' Conference. She is an assistant professor at the University of Colorado Denver, and a co-editor of the literary journal Copper Nickel. http://nickybeer.com/
Sommer Browning writes poems, draws comics, and tells jokes. She is the author of two collections published by Birds, LLC, Backup Singers (2014) and Either Way I’m Celebrating (2011), as well as three chapbooks, most recently The Bowling (Greying Ghost, 2010) with Brandon Shimoda. Her poems and drawings have appeared in The New York Quarterly,Typo, Octopus, past simple, Free Verse, The Stranger, and other places. http://asthmachronicles.com
Noah Eli Gordon is the co-publisher of Letter Machine Editions, an editor with The Volta, and an assistant professor in the MFA program in Creative Writing at the University of Colorado-Boulder, where he currently directs Subito Press. His recent books include The Year of the Rooster, The Source, and Novel Pictorial Noise. http://www.noaheligordon.com/
Andrew McFadyen-Ketchum is the author of Ghost Gear (University of Arkansas Press, 2014), series editor of the Floodgate Poetry Series: Three Chapbooks by Three Poets in a Single Volume (Upper Rubber Boot Books, 2014), editor of Warning! Poems May Be Longer Than They Appear: An Anthology of LongISH Poems and Apocalypse Now: Poems and Prose from the End of Days (Upper Rubber Boot Books, 2012), and founder and managing editor of PoemoftheWeek.org. His poems, reviews, interviews, and podcasts have appeared in journals such as The Writer's Chronicle, The Southern Poetry Anthology, Glimmer Train, American Literary Review, The Spoon River Poetry Review, The Missouri Review, storySouth, Blackbird, InsideHigherEd.com, and Hayden's Ferry Review among others. Andrew holds a Masters of Fine Arts Degree from Southern Illinois University -Carbondale, is Acquisitions Editor for Upper Rubber Boot Books, is Founder and Editor of PoemoftheWeek.org, and is a contributing-editor for The Southern Indiana Review. He is also an award-winning freelance Editor, Writing Coach, and instructor of Creative Writing and English at the University of Colorado Boulder. http://www.andrewmk.com/
Wayne Miller is the author of three poetry collections: The City, Our City (Milkweed Editions, 2011), The Book of Props (2009), and Only the Senses Sleep (New Issues, 2006). A fourth collection, Post-, is forthcoming from Milkweed in 2016. He has also translated Moikom Zeqo’s I Don’t Believe in Ghosts (BOA Editions, 2007) and Zodiac (Zephyr Press, 2015; forthcoming) and is a co-editor of three books: New European Poets (Graywolf, 2008; w/ Kevin Prufer), Tamura Ryuichi: On the Life & Work of a 20th Century Master (Pleiades Press, 2011; w/ Takako Lento), and the forthcomingLiterary Publishing in the 21st Century (Milkweed Editions, 2015; w/ Travis Kurowski and Kevin Prufer). The recipient of the George Bogin Award, the Lucille Medwick Award, the Lyric Poetry Award, a Ruth Lilly Fellowship, the Bess Hokin Prize, and a Fulbright Distinguished Scholar Award to Queen's University Belfast, Miller lives in Denver and teaches at the University of Colorado Denver, where he edits Copper Nickel.